Aelita: Queen of Mars

Аэлита (1924)
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Production
Release date
Director
Scenario
Photo Aleksei Tolstoy
Aleksei Tolstoy
Author
Producer
Actors
Photo Yuliya Solntseva
Yuliya Solntseva
Aelita, Queen of Mars
Photo Igor Ilyinsky
Igor Ilyinsky
Kravtsov - amateur sleuth
Nikolai Tseretelli
Evguieni Spiridinov
Photo Nikolai Batalov
Nikolai Batalov
Gusev, Red Army Soldier
Photo Vera Orlova
Vera Orlova
Nurse Masha, Gusev's Wife
Photo Valentina Kuindzhi
Valentina Kuindzhi
Natasha, Los' Wife (as Vera Kuindzhi)
Photo Pavel Pol
Pavel Pol
Viktor Ehrlich, Sugar Profiteer
Photo Konstantin Eggert
Konstantin Eggert
Tuskub, Ruler of Mars
All actors and roles (10)

Short description

A young man travels to Mars in a rocket ship, where he leads a popular uprising against the ruling group with the support of Queen Aelita, who has fallen in love with him after watching him through a telescope.

What's left behind the scenes

  • On October 15, 1924, a debate about the film took place at the GAKhN film commission, featuring an introductory report by V. K. Turkin. On December 3, at a meeting of the commission of the Central Committee of the All-Union Communist Party (Bolsheviks) for the political leadership of cinema organizations, Mezhrabpom-Rus's petition to export "Aelita" abroad for screening was denied.
  • The film is based on the novel 'Aelita' (1923) by Aleksey Tolstoy.
  • The Martian sets were created by Viktor Simov in the spirit of Constructivism, while the costume design was developed by Moscow Art Theatre costume designers Isaac Rabinovich and Alexandra Exter, with the participation of Nadezhda Lamanova.
  • The film's release was preceded by an unprecedented newspaper advertising campaign that began approximately six months before the premiere—on February 26, 1924, in "Kino-Gazeta" (published by the Mezhrabpom-Rus film company itself), where intriguing advertisements initially appeared with the text "ANTA… ODELI… UTA…" without any explanation (though in some cases, several such ads appeared on a single page). From April 15, the ads were accompanied by explanatory text: "For some time, radio stations around the world have been receiving mysterious signals…" Closer to the premiere (September 19), the newspaper "Pravda" joined the campaign, presenting the mysterious signal in a more "transparent" form: "Anta… odELI… uTA," and in an advertisement published on September 24, the intriguing inscription was directly included in the announcement for the film's premiere screening at the ARS cinema.
  • "Aelita" was Yakov Protazanov's first film after returning from emigration.
  • Nikolai Khodataev, Zenon Komissarenko, and Yuri Merkulov—organizers of the USSR's first experimental animation workshop at the State Cinema Technical School—suggested that Protazanov incorporate animated episodes into the film, but the director declined the experiment. Ultimately, the prepared sketches were used to create the science-fiction animated film "Interplanetary Revolution" (1924).

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