Mean Streets - actors, characters and roles

All actors and their roles in the film "Mean Streets"
Mean Streets (1973)
Timing: 1:51 (111 min)
Mean Streets - TMDB rating
7.088/10
2005
Mean Streets - Kinopoisk rating
7.076/10
13577
Mean Streets - IMDB rating
7.2/10
128000

Actors and characters

Photo Harvey Keitel #12562Photo Harvey Keitel #12563Photo Harvey Keitel #12564Photo Harvey Keitel #12565

Harvey Keitel

Harvey Keitel
Character Charlie Cappa
Photo Robert De Niro #9588Photo Robert De Niro #9589Photo Robert De Niro #9590Photo Robert De Niro #9591

Robert De Niro

Robert De Niro
Character John 'Johnny Boy' Civello
Photo David Proval #1536

David Proval

David Proval
Character Tony DeVienazo
Photo Richard Romanus #207257Photo Richard Romanus #207258Photo Richard Romanus #207259Photo Richard Romanus #305979

Richard Romanus

Richard Romanus
Character Michael Longo
Photo Amy Robinson #100253Photo Amy Robinson #100254

Amy Robinson

Amy Robinson
Character Teresa Ronchelli
Photo Cesare Danova #58459Photo Cesare Danova #58460Photo Cesare Danova #58461

Cesare Danova

Cesare Danova
Character Giovanni Cappa
Photo Victor Argo #46453

Victor Argo

Victor Argo
Character Mario
Photo George Memmoli #112626

George Memmoli

George Memmoli
Character Joey 'Clams' Scala
Lenny Scaletta
Character Jimmy
Photo Jeannie Bell #207260Photo Jeannie Bell #207261Photo Jeannie Bell #207262Photo Jeannie Bell #207263

Jeannie Bell

Jeannie Bell
Character Diane
Photo Murray Moston #46459
Murray Moston
Character Oscar
Photo Robert Carradine #27377Photo Robert Carradine #27378

Robert Carradine

Robert Carradine
Character Boy With Gun
Lois Walden
Character Jewish Girl
Photo Harry Northup #46460
Harry Northup
Character Soldier
Dino Seragusa
Character Old Man
Peter Fain
Character George
Photo Juli Andelman #207266Photo Juli Andelman #207267
Juli Andelman
Character Girl At Party
Robert Wilder
Character Benton
Ken Sinclair
Character Sammy

Jaime Alba

Jaime Alba
Character Young Boy #1
Ken Konstantin
Character Young Boy #2
Nicki "Ack" Aquilino
Character Man On Docks
B. Mitchell Reed
Character Disc Jockey
Photo Martin Scorsese #9711Photo Martin Scorsese #9712Photo Martin Scorsese #9713Photo Martin Scorsese #9714

Martin Scorsese

Martin Scorsese
Character Jimmy Shorts (uncredited)
Photo Catherine Scorsese #25087Photo Catherine Scorsese #25088

Catherine Scorsese

Catherine Scorsese
Character Woman on Landing (uncredited)

What's left behind the scenes

  • As soon as funding was secured, Scorsese began casting the actors. Robert De Niro met the director in 1972. He liked that he saw in “Who’s That Knocking at My Door?”: he was impressed by how realistically the film depicted life in Little Italy. After one of the actors left the project, Scorsese chose Harvey Keitel, with whom he had worked before, to play the lead role of Charlie.
  • In 1997, the film was included in the National Film Registry of the U.S. Library of Congress.
  • Director John Cassavetes was also present at a preview of the film “Berthe’s Husband.” After the screening, he approached Scorsese, hugged him, and said, “You just wasted a year of your life making a piece of crap.” He advised Scorsese to film stories that he knew and understood. This inspired the young director to make his next film based on his own life experience. As a result, “Mean Streets” recreated events that Scorsese, growing up in Little Italy, had regularly witnessed.
  • The film was initially proposed as a sequel to "Who's That Knocking at My Door?" and was to be called "Witch Hunting Season".
  • According to Scorsese, the film's plot initially focused on the religious conflict of Charlie and its influence on his worldview. To this end, Scorsese and screenwriter Mardik Martin often drove around Little Italy while writing the script. They would find a spot next to the park and begin writing.
  • Very little was filmed directly in the film's setting, New York. Most of the scenes were shot in Los Angeles. The unusual handheld camera techniques were largely a result of the film's meager budget, which was insufficient to set up a large number of tracks for filming. Thus, to realistically film Harvey Keitel's drunken scene, the camera was actually tied to the actor to convey the character's intoxicated state. For the same reason, the shooting schedule ultimately lasted only 25 days.
  • Scorsese composed the film's soundtrack mainly from his own collection. As a result, the film features many pop and rock hits, including "Rubber Biscuit" by The Chips, "Be My Baby" by The Ronettes, a cover version of "Please Mr. Postman" by The Marvelettes, as well as the songs "Jumpin' Jack Flash" and "Tell Me" by The Rolling Stones. Purchasing the rights to use the musical compositions in the film cost half of its budget.
  • As soon as funding was secured, Scorsese began casting. Robert De Niro met the director in 1972. He liked that he saw in "Who's That Knocking at My Door?": he was impressed by how realistically the film portrayed life in Little Italy. After one of the actors left the project, Scorsese chose Harvey Keitel, with whom he had worked previously, to play the lead role of Charlie.
  • Director John Cassavetes was also present at a preview screening of "Bertha, the Railway Worker." After the screening, he approached Scorsese, hugged him, and said, "You just wasted a year of your life creating a piece of crap." He advised Scorsese to film stories that he knew and understood. This inspired the young director to make his next film based on his own life experience. As a result, "Mean Streets" recreated events that Scorsese, growing up in Little Italy, regularly witnessed.
  • The film was initially proposed as a sequel to "Who's That Knocking at My Door?" and was to be called "Witch Hunt Season."
  • Scorsese compiled the film's soundtrack mainly from his own collection. As a result, the film features many pop and rock hits, including “Rubber Biscuit” by The Chips, “Be My Baby” by The Ronettes, a cover version of “Please Mr. Postman” by The Marvelettes, and songs “Jumpin' Jack Flash” and “Tell Me” by The Rolling Stones. Purchasing the rights to use the musical compositions in the film cost half its budget.
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