Fantastic Voyage - crew, film crew

The entire team, the film crew of the film "Fantastic Voyage"
Fantastic Voyage (1966)
Timing: 1:40 (100 min)
Fantastic Voyage - TMDB rating
6.667/10
423
Fantastic Voyage - Kinopoisk rating
6.889/10
1623
Fantastic Voyage - IMDB rating
6.8/10
23000

Film crew

Director

Producer

Editor

William B. Murphy
Editor

Art Direction

Jack Martin Smith
Art Direction
Dale Hennesy
Art Direction

Set Decoration

Walter M. Scott
Set Decoration
Stuart A. Reiss
Set Decoration

Makeup Artist

Photo Ben Nye #72370

Ben Nye

Ben Nye
Makeup Artist

Original Music Composer

Photo Leonard Rosenman #74751

Leonard Rosenman

Leonard Rosenman
Original Music Composer

Unit Production Manager

Eric Stacey
Unit Production Manager

Director of Photography

Ernest Laszlo
Director of Photography

Hairstylist

Margaret Donovan
Hairstylist

Screenplay

Harry Kleiner
Screenplay

Special Effects

L.B. Abbott
Special Effects
Emil Kosa Jr.
Special Effects

Story

Otto Klement
Story

Assistant Director

Ad Schaumer
Assistant Director

Researcher

Photo Harper Goff #30128
Harper Goff
Researcher

Sound

David Dockendorf
Sound
Bernard Freericks
Sound

Title Designer

Richard Kuhn
Title Designer

Sound Effects

Walter Rossi
Sound Effects

Adaptation

David Duncan
Adaptation

Aerial Coordinator

Peter Foy
Aerial Coordinator

Technical Advisor

Fred Zendar
Technical Advisor

What's left behind the scenes

  • When filming the scene where the main characters peel antibodies off Raquel Welch's heroine, director Richard Fleischer (1916-2006) ordered the actors to peel off all the "antibodies" they could find. Being gentlemen, they began to avoid the "antibodies" located on the actress’s chest. Fleischer noticed this and told the actors to shoot another take, and this time all the actors eagerly reached for the actress’s chest. Eventually, Fleischer realized that the scene would have to be carefully rehearsed and planned, with each actor peeling off specific things from the actress at a specific moment and in a specific order. This take, with the actors' movements rehearsed in advance, made it into the film.
  • The scenes where the characters are extracted from the submarine and swim were filmed in pavilions where the actors were suspended on cables. To create the impression for the viewer that they are watching the characters swim, overcoming environmental resistance, these scenes were filmed at an increased speed and then reproduced at a normal rate.
  • Isaac Asimov (1920-1992) was asked to write a novel based on the screenplay. The writer read the screenplay and stated that it had too many “plot holes.” After receiving permission to write the novel as he saw fit, he got to work, and considering the delays in filming and the speed at which Asimov worked, the novel was published even before the film.
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