Come and See - posters, covers, wallpapers
Lots of posters, covers and wallpapers for the movie "Come and See"
Иди и смотри (1985)
Timing:
2:22 (142 min)
8.2/10
1799
1799
8.345/10
284040
284040
8.3/10
120000
120000
Backdrops, wallpaper
4K UHD 2160p
Full HD 1090p
HD Ready 961p
Full HD 1213p
Full HD 1237p
Full HD 1370p
Full HD 1245p
Full HD 1143p
Full HD 1080p
4K UHD 2160p
4K UHD 2160p
HD Ready 900p
HD Ready 720p
Full HD 1080p
Full HD 1080p
HD Ready 900p
HD Ready 900p
HD Ready 900p
HD Ready 825p
HD Ready 720p
Full HD 1080p
HD Ready 900p
HD Ready 900p
HD Ready 900p
HD Ready 720p
HD Ready 720p
HD Ready 720p
HD Ready 720p
HD Ready 720p
HD Ready 720p
HD Ready 825p
HD Ready 825p
HD Ready 825p
HD Ready 825p
Full HD 1409p
Full HD 1350p
HD Ready 900p
Full HD 1080p
4K UHD 2160p
4K UHD 2160p
HD Ready 828p
HD Ready 828p
Full HD 1080p
HD Ready 726p
HD Ready 726p
4K UHD 2160p
2K 1462p
Full HD 1080pPosters, covers
5K UHD 3000p
4K UHD 2250p
HD Ready 750p
2K 1500p
5K UHD 3000p
HD Ready 750p
2K 1582p
Full HD 1398p
2K 1485p
4K UHD 2304p
4K UHD 2304p
3K 1800p
5K UHD 3000p
2K 1500p
4K UHD 2250p
2K 1500p
3K 1800p
3K 1800p
2K 1500p
3K 1800p
2K 1500p
3K 2000p
4K UHD 2304p
4K UHD 2304p
3K 1800p
HD Ready 750p
2K 1500p
3K 1800p
3K 1932p
2K 1500p
5K UHD 3000p
3K 1800p
2K 1500p
HD Ready 960p
2K 1500p
2K 1500p
2K 1465p
2K 1464p
HD Ready 750p
3K 2048p
4K UHD 2400p
3K 1660p
3K 1772p
4K UHD 2400p
2K 1464p
2K 1533p
Full HD 1200p
HD Ready 841p
2K 1599p
3K 1919p
Full HD 1348p
2K 1500p
Full HD 1348p
5K UHD 3000p
2K 1600p
5K UHD 3000p
2K 1500p
5K UHD 3000p
5K UHD 2816p
2K 1468p
5K UHD 2829p
5K UHD 3000pWhat's left behind the scenes
- The film is based on the works of Ales Adamovich “The Tale of Khatyn,” “Partisans,” and “Punishers.”
- Best Film according to a poll by the magazine “Soviet Screen” in 1987.
- The film's scenes were shot in chronological order.
- This is Danny Boyle's favorite Soviet film.
- The film's script was titled «Kill Hitler»: the title was conceived in a global sense, as a call to kill the demonic beginning, first and foremost, within oneself. The director understood that this would be a very brutal film and believed that hardly anyone would be able to watch it. After telling Adamovich this, Klimov heard in response: «Let them not watch. We must leave this behind us. As a testament to the war, as a plea for peace».
- In 1987, the screenplay was published as a separate book in the series «Library of Screenplays».
- Aleksey Kravchenko, the performer of the main role, admitted that he did not intend to participate in the auditions and went there at the request of a friend who really wanted to act in a film and asked for his support. At the auditions, Kravchenko was asked to perform a sketch «the death of a mother». Later, the actor confessed that he cried so convincingly that even some members of the commission shed tears. Klimov, however, was not finally convinced and further «tested» the candidate for the role. For example, one of these tests was watching newsreels from the war years, including footage from concentration camps. After several hours of viewing, Kravchenko was offered tea with cake, which the teenager firmly refused. This refusal met the director's expectations, who was testing the actor's ability to genuinely experience the grief and suffering of others.
- Aleksey Kravchenko had to lose a significant amount of weight for the role. The young actor was put on a strict diet, but he decided that wasn't enough and began running long distances to better embody the image of an emaciated child.
- Olga Mironova, a student at an art school, was approved for the role of Glasha. "Come and See" was her first and last participation in a film. After graduating from the school, Mironova became a school teacher.
- Filming, which lasted 9 months, took place in the Berezina Reserve, near the village of Kamenka.
- In addition to blank cartridges, the film also used real ammunition. This was due to Klimov's desire for authenticity. Initially, pyrotechnics and explosive charges were planned, but after several takes, the director and cinematographer came to the conclusion that such explosions looked unnatural. After that, real shells were used, significantly increasing the risk to the actors' lives.
- To ensure the safety of the actors and the filming crew during the shooting of the scene with tracer bullets, they were positioned behind a concrete slab 1.5 meters high and 5 meters wide.
- According to Klimov, the film was so shocking abroad that ambulances were stationed outside cinemas during screenings to take away overly sensitive viewers. At one discussion of the film, an elderly German stood up and said: 'I am a soldier of the Wehrmacht. Moreover, I am an officer of the Wehrmacht. I went through all of Poland, Belarus, and reached Ukraine. I testify: everything shown in this film is true. And the most terrible and shameful thing for me is that my children and grandchildren will see this film.'
- In 1985, the film was submitted by the USSR as a contender for the Academy Award for Best Foreign Language Film, but it was ultimately not nominated.
- Film critic Roger Ebert (Chicago Sun-Times) in a 2010 review called Klimov's latest work 'one of the most devastating war films,' where, in his opinion, 'the living must envy the dead.' Noting that the theme of Hitler was quite safe and convenient as a political allegory in Soviet cinema, Ebert admitted that the film was much more than a simple allegory, and he had hardly seen a film that depicted human evil more ruthlessly.
- To some detriment to authenticity, the Belarusian language had to be abandoned. According to Alexei Kravchenko, the decision was made during dubbing 'to create a mutant of Russian and Belarusian, because if I spoke in pure Belarusian, no one would understand anything.'
- Initially, the Goskino leadership did not approve the film's script: the scene where the protagonists struggle through a swamp was perceived as 'propaganda of the aesthetics of dirt'; the crushed anthill – 'a humiliating comparison of our people to ants'; and the shooting of the cow in a nighttime field – 'naturalism' and 'savoring.' Objections were also raised to the scene of the village burning, as it 'lacked the scale of the partisan movement,' and to Flora's refusal to shoot the infant Hitler, which censors characterized as 'all-forgiveness, abstract humanism, and a non-class approach.' Klimov refused to fulfill Goskino's demands, as he believed they would 'kill the film outright,' after which the film was shut down. The director continued to fight for the film, but was only able to begin filming in 1984. The only change made during this time was the film's title – 'Come and See' instead of the originally intended 'Kill Hitler.'
- The village headman burned alive was played by a local resident, Kazimir Rabetsky, who was on the same island during the war where the filming took place. His death monologue was filmed without a single stumble or need for dubbing, and Klimov later referred to this case as an "act of heroism".
- Kravchenko was deeply impressed by the scene with the cow: live ammunition was used during filming, and when the first bullets hit, the animal reared up, nearly trampling the actor.
- During the filming of the village burning scene, the extras – local residents – were herded into a barn, but the desired emotional intensity could not be achieved. Someone from the crew spread a rumor that “the filmmakers might actually burn it down,” and one of the actors playing Germans fired a burst from an automatic weapon into the air. As a result, according to Klimov, “such a human howl came from the barn that no actor could have simulated it.” A different kind of problem arose with the younger extras: many of the young men and women invited to play partisans initially often joked around and didn't take the work seriously. On the advice of Ales Adamovich, Klimov played songs from wartime through the amplifiers, which effectively put the actors in a working mood.
- The effect of "deafness" and ringing in the ears experienced by Flora after a shell exploded nearby was used by Steven Spielberg in the war drama "Saving Private Ryan".
- The film is based on the works of Ales Adamovich, 'Khatyn Tale', 'Partisans', and 'Punishers'.
- The film's script was called 'Kill Hitler': the title was intended in a global sense, as a call to kill the devilish beginning, first and foremost, within oneself. The director understood that it would be a very brutal film and believed that few people would be able to watch it. After telling Adamovich this, Klimov heard in response: 'Let them not watch. We must leave this behind. As a testament to the war, as a plea for peace.'
- The lead actor, Alexei Kravchenko, admitted that he had no intention of participating in the auditions and went there at the request of a friend who desperately wanted to be in a movie and asked him to support him. At the auditions, Kravchenko was asked to perform an etude 'the death of a mother'. As the actor later confessed, he involuntarily cried so convincingly that even some members of the commission shed tears. Klimov, however, was not finally convinced and further 'tested' the candidate for the role. For example, one of these tests was watching newsreel footage from the war years, including footage from concentration camps. After several hours of viewing, Kravchenko was offered tea with cake, which the teenager firmly refused. This refusal met the director's expectations, who was testing the actor's ability to sincerely experience the grief and suffering of others.
- Olga Mironova, a student at an art college, was approved for the role of Glasha. For her, 'Come and See' was her first and last participation in cinema. After graduating from the college, Mironova became a school teacher.
- According to Klimov, the film seemed so shocking abroad that ambulances were stationed outside cinemas during screenings to take away overly sensitive viewers. During one discussion of the film, an elderly German stood up and said: 'I am a Wehrmacht soldier. Moreover, a Wehrmacht officer. I went through all of Poland, Belarus, and reached Ukraine. I testify: everything told in this film is true. And the most terrible and shameful thing for me is that my children and grandchildren will see this film.'
- Film critic Roger Ebert ('Chicago Sun-Times') in a 2010 review called Klimov's last work 'one of the most devastating films about war,' where, in his opinion, 'the living must envy the dead.' Noting that the theme of Hitler was quite safe and convenient as a political allegory in Soviet cinema, Ebert admitted that the film was much more than a simple allegory, and he had hardly seen a film that depicted human evil more relentlessly.
- Initially, the Goskino leadership did not approve the film's script: the scene where the main characters struggle through a swamp was perceived as 'propaganda of the aesthetics of dirt'; the crushed anthill – 'a humiliating comparison of our people to ants,' and the shooting of a cow in a nighttime field – 'naturalism' and 'savoring.' Objections were also raised to the scene of the village burning, as it 'lacked the scale of the partisan movement,' and Flora's refusal to shoot the infant Hitler, characterized by censors as 'all-forgiveness, abstract humanism, and a non-class approach.' Klimov refused to fulfill the demands of Goskino, as he considered them 'killing the film outright,' after which the film was shut down. The director continued to fight for the film, but only in 1984 was he able to begin filming. The only change made during this time was the film's title – 'Come and See' instead of the originally intended 'Kill Hitler.'
- Kazimir Rabetsky, a local villager who was on the same island where the filming took place during the war, played the village elder burned alive. His death monologue was filmed without hesitation and the need for dubbing, and Klimov later spoke of this case as an 'acting feat.'
- During the filming of the village burning scene, extras – local residents – were herded into a barn, but it proved impossible to achieve the desired level of emotion. Someone on the crew spread a rumor that 'the filmmakers might actually burn it down,' and one of the actors playing Germans fired a burst from a machine gun into the air. As a result, according to Klimov, 'such a human wail erupted from the barn that no actor could ever simulate.' A different problem arose with the younger extras: many of the young men and women invited to play partisans initially joked around and didn't take the work seriously. On the advice of Ales Adamovich, Klimov played songs from wartime over the loudspeakers, which effectively put the actors in a working mood.
- The effect of 'deafness' and ringing in the ears experienced by Flora after a shell exploded nearby was used by Steven Spielberg in the war drama 'Saving Private Ryan.'
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
