I Am Cuba

Soy Cuba (1964)
Timing: 2:20 (140 min)
I Am Cuba - TMDB rating
7.8/10
242
I Am Cuba - Kinopoisk rating
8.012/10
5097
I Am Cuba - IMDB rating
8.2/10
12000
Watch film I Am Cuba | I AM CUBA Restoration Trailer [1964]
Movie poster "I Am Cuba"
Release date
Country
Production
Genre
Drama
Budget
$0
Revenue
$168 100
Website
Actors
Sergio Corrieri, José Gallardo, Raúl García, Luz María Collazo, Jean Bouise, Alberto Morgan, Roberto García York, Luisa María Jiménez Rodríquez, Mario González Broche, Raquel Revuelta
All actors and roles (10)
Scenario
Enrique Pineda Barnet, Yevgeny Yevtushenko
Producer
Operator
Composer
Carlos Fariñas
Artist
Audition
Editing
Nina Glagoleva
All team (16)
Short description
Four vignettes about the lives of the Cuban people set during the pre-revolutionary era.

What's left behind the scenes

  • The now-famous plan, which begins on the roof of a hotel and gradually descends, ending underwater in a pool, originally continued with the camera re-emerging from the water. This was all filmed continuously, with the camera being passed from one crew member to another. Director Mikhail Kalatozov (1903-1973) ordered all footage after the camera reappeared from the water to be removed.
  • Fidel Castro (1926-2016), Raúl Castro, and Che Guevara (1928-1967) took the film crew to the Sierra Maestra mountains, where they had hidden during the preparation for the revolution. All three acted as technical consultants on the film.
  • The film was criticized in both the Soviet Union and Cuba. Cubans believed the film showed not the real Cuba, but the one molded by the USSR. In the Soviet Union, on the other hand, they had hoped to see a straightforward propaganda piece.
  • In the Soviet Union, which financed the filming, it was stated that the film was too focused on "art for art's sake." Director Mikhail Kalatozov was accused of formalism.
  • The Soviet Union, which financed the filming, stated that the film was too focused on “art for art’s sake.” Director Mikhail Kalatozov was accused of formalism.
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