North Sea Hijack

When the next 12 hours could cost you 1,000 million pounds and 600 lives you need a man who lives second by second
ffolkes (1980)
6.3/10
6 850
—
no scores
6.3/10
121
6.3/10
6400
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Release date
Revenue
$2 993 772
Scenario
Jack Davies
Author
Composer
Michael J. Lewis
Producer
Photo Elliott Kastner
Elliott Kastner
Actors
Photo Roger Moore
Roger Moore
Rufus Excalibur ffolkes
Photo Anthony Perkins
Anthony Perkins
Lou Kramer
Photo James Mason
James Mason
Admiral Brindsen
Photo David Hedison
David Hedison
Robert King
Photo Michael Parks
Michael Parks
Harold Shulman
Photo Jack Watson
Jack Watson
Captain Olafson
Photo David Wood
David Wood
Terry Herring
Photo Jeremy Clyde
Jeremy Clyde
Lord Privy Seal Dennis Tipping
All actors and roles (10)

Short description

North Sea Hijack follows Rufus Excalibur ffolkes, a wealthy and eccentric Scottish anti-terrorism consultant who has trained a private unit of underwater commandos. When terrorists led by Lou Kramer seize control of two North Sea oil rigs and hold the crew hostage, threatening to destroy the platforms unless their demands are met, the British government turns to ffolkes and his team. The film was released in 1980 under the original title ffolkes.

Andrew V. McLaglen directed, working from a screenplay by Jack Davies. It was the fifteenth of the sixteen films McLaglen directed, coming between The Sea Wolves and Sahara. Roger Moore, then known for his work as James Bond, plays ffolkes, with Anthony Perkins as Kramer, James Mason as Admiral Brindsen, David Hedison as Robert King, Michael Parks as Harold Shulman and Jack Watson as Captain Olafson among a credited cast of 31. Elliott Kastner produced for Universal Pictures and Cinema Seven Productions.

The film is a British-Irish action, adventure and thriller production running 100 minutes. It took about 3 million dollars at the worldwide box office. On IMDb it holds a rating of 6.3 out of 10 from around 6,400 votes, and on TMDB it also stands at 6.3 out of 10, from 121 votes. The two audiences are closely aligned, both placing the film in moderate territory rather than at either extreme.

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