Space Cowboys - posters, covers, wallpapers

Lots of posters, covers and wallpapers for the movie "Space Cowboys"
Space Cowboys (2000)
Timing: 2:10 (130 min)
Space Cowboys - TMDB rating
6.386/10
1317
Space Cowboys - Kinopoisk rating
6.587/10
8645
Space Cowboys - IMDB rating
6.5/10
91000

Backdrops, wallpaper

Backdrop to the movie "Space Cowboys" #343285Full HD 1080p
Backdrop to the movie "Space Cowboys" #343287HD Ready 720p
Backdrop to the movie "Space Cowboys" #343277HD Ready 720p
Backdrop to the movie "Space Cowboys" #343278HD Ready 720p
Backdrop to the movie "Space Cowboys" #343279Full HD 1080p
Backdrop to the movie "Space Cowboys" #343280Full HD 1080p
Backdrop to the movie "Space Cowboys" #343281HD Ready 720p
Backdrop to the movie "Space Cowboys" #343282Full HD 1080p
Backdrop to the movie "Space Cowboys" #343283Full HD 1080p
Backdrop to the movie "Space Cowboys" #343284HD Ready 720p
Backdrop to the movie "Space Cowboys" #343286HD Ready 946p

Posters, covers

Poster to the movie "Space Cowboys" #343289Full HD 1200p
Poster to the movie "Space Cowboys" #3432903K 2048p
Poster to the movie "Space Cowboys" #343291HD Ready 900p
Poster to the movie "Space Cowboys" #343292Full HD 1200p
Poster to the movie "Space Cowboys" #343294Full HD 1200p
Poster to the movie "Space Cowboys" #3432953K 2048p
Poster to the movie "Space Cowboys" #3432965K UHD 2700p
Poster to the movie "Space Cowboys" #3432973K 2100p
Poster to the movie "Space Cowboys" #3432982K 1500p
Poster to the movie "Space Cowboys" #3433015K UHD 3000p
Poster to the movie "Space Cowboys" #3433022K 1500p
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Poster to the movie "Space Cowboys" #3433045K UHD 2828p
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Poster to the movie "Space Cowboys" #343306Full HD 1200p
Poster to the movie "Space Cowboys" #343308HD Ready 750p
Poster to the movie "Space Cowboys" #3433095K UHD 2828p
Poster to the movie "Space Cowboys" #3433122K 1480p
Poster to the movie "Space Cowboys" #3433075K UHD 3000p
Poster to the movie "Space Cowboys" #3433105K UHD 3000p
Poster to the movie "Space Cowboys" #3433115K UHD 2891p

What's left behind the scenes

  • Initially, Clint Eastwood refused to direct the film, considering the script too implausible. He changed his mind in 1998 when 77-year-old astronaut John Glenn flew into space.
  • Initially, Sean Connery was supposed to play Jerry O'Neil, and Jack Nicholson was considered for the role of Tank Sullivan. Ultimately, these roles were played by Donald Sutherland and James Garner, respectively.
  • The filming was difficult for the actors: 72-year-old James Garner, for example, broke his arm.
  • The film uses real footage shot in space.
  • According to editor Joel Cox, Clint Eastwood, accustomed to working very quickly, shot 35-40 takes a day.
  • Clint Eastwood composed a musical theme that plays at the beginning of the film. It was ultimately included in the overall soundtrack created by composer Lennie Niehaus.
  • Clint Eastwood initially refused to film this movie, considering the script too implausible. He changed his mind in 1998, when 77-year-old astronaut John Glenn flew into space.
  • According to editor Joel Cox, Clint Eastwood, accustomed to working very quickly, shot 35-40 takes a day.
  • Clint Eastwood composed a musical theme that plays at the beginning of the film. It was eventually included in the overall soundtrack created by composer Lennie Niehaus.
  • Filming caused health problems for some actors: James Garner suffered a shoulder injury, and Donald Sutherland injured his knee.
  • Jerry O'Neil was initially intended to play Sean Connery's role, and Tanka Sullivan was to play Jack Nicholson's. Ultimately, those roles were played by Donald Sutherland and James Garner, respectively.
  • NASA blueprints of the actual Mission Control Center were used in constructing the sets for Mission Control.
  • Clint Eastwood was initially supposed to produce and star in the film, with someone else directing. However, when several directors who were offered the job decided that filming spaceflights would be difficult and declined, Eastwood decided to direct the film himself.
  • As the orbital spacecraft approaches the John F. Kennedy Space Center, a double sonic boom can be heard (when breaking the sound barrier). It is double because the spacecraft creates two shock waves – from the nose and the tail.
  • According to the special effects supervisor, Adam Savage, they chose 'Rolo' candy wrappers through trial and error to simulate gold foil.
  • NASA offered its special fixed-wing aircraft for filming (it provides short periods of near-weightlessness, used for astronaut training, research, and filmmaking) – in 1995, it was used during the filming of Ron Howard's science fiction drama 'Apollo 13'. Clint Eastwood declined the offer, fearing that the older actors would feel too ill during the flight and would be unable to perform.
  • In actual shuttles, the seats are arranged in two rows (four in the front and two in the back), but Clint Eastwood wanted to show a different seat configuration and, accordingly, the characters in them.
  • The filmmakers, led by Clint Eastwood, initially thought they would need forty special effects shots. In reality, around three hundred special effects shots were included in the film.
  • In the scenes of the shuttle landing, Clint Eastwood used archival footage of 'space shuttle' landings.
  • The original script mentioned the placement of combat assets in orbit (the so-called 'IKON' project). NASA demanded the script be rewritten, not wanting to be associated with the militarization of space.
  • NASA offered its special fixed-wing aircraft for filming (it provides short-term exposure to near-weightlessness, is used to train astronauts, conduct research, and film movies) – in 1995, it was used during the filming of Ron Howard's science fiction drama "Apollo 13." Clint Eastwood declined the offer, fearing that the older actors would become too ill during the flight and would no longer be able to perform.
  • The original script mentioned the deployment of weapons systems in orbit (the so-called "IKON" project). NASA demanded that the script be rewritten, not wanting to be associated with the militarization of space.
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