American History X - crew, film crew
The entire team, the film crew of the film "American History X"
American History X (1998)
Timing:
1:59 (119 min)
8.327/10
12421
12421
8.293/10
381578
381578
8.5/10
1300000
1300000
Film crew
Director
Producer
John Morrissey
Producer
Executive Producer
Steve Tisch
Executive Producer
Bill Carraro
Executive Producer
Kearie Peak
Executive Producer
Casting
Valerie McCaffrey
Casting
Editor
Gerald B. Greenberg
Editor
Special Effects Supervisor
Thomas L. Bellissimo
Special Effects Supervisor
Art Direction
Dan Olexiewicz
Art Direction
J. Kyler Black
Art Direction
Costume Design
Doug Hall
Costume Design
Stunts
Eugene Collier
Stunts
Merritt Yohnka
Stunts
Charles Belardinelli
Stunts
Production Design
Jon Gary Steele
Production Design
Stunt Coordinator
Denney Pierce
Stunt Coordinator
Paul E. Short
Stunt Coordinator
Noon Orsatti
Stunt Coordinator
Set Decoration
Tessa Posnansky
Set Decoration
Makeup Artist
Heather Fraker
Makeup Artist
Sound Re-Recording Mixer
John Ross
Sound Re-Recording Mixer
Joe Barnett
Sound Re-Recording Mixer
William Smith
Sound Re-Recording Mixer
Yuri Reese
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Bill Carraro
Unit Production Manager
Co-Producer
Jon Hess
Co-Producer
Production Supervisor
Michael Mandaville
Production Supervisor
Orchestrator
Gavyn Wright
Orchestrator
Set Dresser
Franco Esile
Set Dresser
Second Assistant Director
David Larson
Second Assistant Director
Stunt Double
Courtney Pakiz
Stunt Double
Director of Photography
Pilot
Kevin LaRosa
Pilot
Musician
Marc Cancel
Musician
Camera Operator
Steadicam Operator
Charles Papert
Steadicam Operator
Costumer
Ángela Núñez
Costumer
Costume Supervisor
Marisa Aboitiz
Costume Supervisor
Key Costumer
Lisa Parmet
Key Costumer
Sound Effects Editor
Roland N. Thai
Sound Effects Editor
Property Master
Script Supervisor
Ira Hurvitz
Script Supervisor
Electrician
Joe Crouch
Electrician
Hairstylist
Karyn Huston
Hairstylist
Still Photographer
Peter Sorel
Still Photographer
First Assistant Director
Mark Cotone
First Assistant Director
Chief Lighting Technician
David Jarrell
Chief Lighting Technician
Driver
Joseph Aroesti
Driver
Cinematography
Boom Operator
Tom Hartig
Boom Operator
Screenplay
First Assistant Editor
Glenn Cocco
First Assistant Editor
Foley Artist
Ossama Khuluki
Foley Artist
David Lee Fein
Foley Artist
Diane Marshall
Foley Artist
Sound Designer
Frederick Howard
Sound Designer
Construction Coordinator
Curtis Baruth
Construction Coordinator
Location Scout
Tim Swan
Location Scout
Dialogue Editor
Walter Spencer
Dialogue Editor
Bob McNabb
Dialogue Editor
Jed M. Dodge
Dialogue Editor
David Grant
Dialogue Editor
Steve Scoville
Dialogue Editor
Assistant Editor
Kim Ettinger
Assistant Editor
Best Boy Grip
Tim Angelo
Best Boy Grip
Foley Editor
David Mann
Foley Editor
Craig Jurkiewicz
Foley Editor
First Assistant "B" Camera
Rick Drapkin
First Assistant "B" Camera
First Assistant "A" Camera
John Sekula
First Assistant "A" Camera
Transportation Coordinator
Geno Hart
Transportation Coordinator
Key Grip
John T. Martin
Key Grip
Location Manager
Marc E. Spiegel
Location Manager
Grip
James Alden
Grip
Dolly Grip
Mark Bolin
Dolly Grip
Assistant Property Master
Parker Swanson
Assistant Property Master
Leadman
Clovis Chamberet
Leadman
Assistant Location Manager
Paul Tompkins
Assistant Location Manager
Set Production Assistant
Matt Baird
Set Production Assistant
Second Second Assistant Director
Michael Keller
Second Second Assistant Director
Seamstress
Ulker Irazat
Seamstress
Construction Foreman
Pete Josephs
Construction Foreman
Painter
Brandon S. Gilgen
Painter
Special Effects
Charles Belardinelli
Special Effects
Music Supervisor
Paul Broucek
Music Supervisor
Casting Assistant
Joe Adams
Casting Assistant
Foley Mixer
Mary Erstad
Foley Mixer
Production Controller
Paul Prokop
Production Controller
Special Effects Makeup Artist
Matthew W. Mungle
Special Effects Makeup Artist
Production Accountant
Paul Belenardo
Production Accountant
Gaffer
Dale Obert
Gaffer
"A" Camera Operator
Charles Papert
"A" Camera Operator
Music Editor
Richard Ford
Music Editor
Production Sound Mixer
ADR Mixer
Alan Freedman
ADR Mixer
Second Assistant "B" Camera
David Elmore
Second Assistant "B" Camera
First Assistant Camera
John Sekula
First Assistant Camera
Post Production Coordinator
Brandon Smith
Post Production Coordinator
Co-Executive Producer
Michael De Luca
Co-Executive Producer
Brian Witten
Co-Executive Producer
Post Production Supervisor
Diana Kaufman
Post Production Supervisor
On Set Dresser
Craig Lafferty
On Set Dresser
Music Coordinator
Karen Elliott
Music Coordinator
Sound Engineer
Roger Dudley
Sound Engineer
Unit Publicist
Andrew Lipschultz
Unit Publicist
Production Coordinator
Wendy Cox
Production Coordinator
Scoring Mixer
Paul Hulme
Scoring Mixer
Scenic Artist
Sharleen Bright
Scenic Artist
Additional Second Assistant Camera
Bradley Richard
Additional Second Assistant Camera
Production Secretary
Natalie Trussell
Production Secretary
Visual Effects
Stephen Jennings
Visual Effects
Second Assistant "A" Camera
Warren Feldman
Second Assistant "A" Camera
Post Production Accountant
Lisa Behlendorf
Post Production Accountant
Payroll Accountant
Timothy P. Tundel
Payroll Accountant
ADR Supervisor
Susan Shin
ADR Supervisor
Extras Casting
Bill Dance
Extras Casting
Rigging Gaffer
Curtis A. Andrews Jr.
Rigging Gaffer
Best Boy Electric
James Scott
Best Boy Electric
Studio Teacher
Nancy A. Flint
Studio Teacher
Camera Loader
Sean Hunter Moe
Camera Loader
Assistant Production Coordinator
Karen Jarnecke
Assistant Production Coordinator
Second Assistant Camera
David Elmore
Second Assistant Camera
Choreographer
Assistant Sound Editor
Robert Getty
Assistant Sound Editor
Executive In Charge Of Production
Carla Fry
Executive In Charge Of Production
Transportation Captain
Joe Cosentino
Transportation Captain
Production Executive
Erik Holmberg
Production Executive
Natalie Trussell
Production Executive
Wigmaker
Bill Fletcher
Wigmaker
Title Designer
Peter Menich
Title Designer
First Assistant Accountant
Peter Barnett
First Assistant Accountant
Set Medic
Dyanne C. Deuel
Set Medic
Color Timer
Bob McMillian
Color Timer
Casting Coordinator
Kate Kennedy
Casting Coordinator
Craft Service
Brian R. Keathley
Craft Service
Assistant Camera
William Robinson
Assistant Camera
Extras Casting Assistant
Terrence Harris
Extras Casting Assistant
Additional Sound Re-Recording Mixer
Kelly Vandever
Additional Sound Re-Recording Mixer
General Manager
Leo Stefanos
General Manager
Transportation Co-Captain
Adam Pinkstaff
Transportation Co-Captain
Chef
Chris Warren
Chef
Executive In Charge Of Post Production
Joe Fineman
Executive In Charge Of Post Production
What's left behind the scenes
- The musical group "Anti-Heros" sued the studio "New Line Cinema" because one of the film's characters had a tattoo with the name of the group. The group did not want to be associated with Nazis.
- The studio asked Edward Norton to recut the film, thereby giving his character more screen time. Upon learning of this, the film's director, Tony Kaye, attempted to have his name removed from the credits, but by revealing his intentions during the film's promotion, he violated one of the rules of the "Directors Guild of America," which states: "directors who use pseudonyms should not disclose information about why they decided to remove their name from the credits." Later, Tony sued the "Directors Guild" and the studio "New Line Cinema" for violating the First Amendment, demanding $200 million in compensation for moral damages.
- Cameron (Stacy Keach) characterizes Bob Sweeney (Avery Brooks) as Uncle Tom. Brooks played Uncle Tom in "Uncle Tom's Cabin" (1987).
- During a basketball game, Seth is wearing a jersey with the number 88. This is a skinhead code for "NN" or "Heil Hitler": "N" is the eighth letter of the Latin alphabet. 88 is also a reference to the 88 principles formulated by neo-Nazi leader David Lane.
- Specifically for this role, Edward Norton gained 30 pounds (approximately 13.6 kilograms) of muscle mass.
- The word "fuck" is uttered 205 times throughout the film.
- The diner where Danny and Derek have breakfast before Danny goes to school is the same diner as in "The Big Lebowski" (1998).
- The quote that sounds at the end of Danny's essay are the last words of Abraham Lincoln during his inaugural address in 1861.
- When Danny was shot, he fell. At the beginning, his essay slipped out of his hands, in the next frame it's in his hand, and when Derek ran up, the essay was no longer in his hand.
- The musical group “Anti-Heros” sued “New Line Cinema” because one of the film's characters had a tattoo with the name of the group. The group did not want to be associated with Nazis.
- The studio asked Edward Norton to recut the film, thereby giving more screen time to his character. Upon learning of this, the film's director, Tony Kaye, attempted to have his name removed from the credits, but by revealing his intentions during the film’s promotion, he violated one of the rules of the “Directors Guild of America,” which states: “directors who use pseudonyms must not disclose information about why they decided to remove their name from the credits.” Later, Tony sued the “Directors Guild” and “New Line Cinema” for violating the First Amendment, demanding $200 million in compensation for moral damages.
- Cameron (Stacy Keach) characterizes Bob Sweeny (Avery Brooks) as Uncle Tom. Brooks played Uncle Tom in "Uncle Tom's Cabin" (1987).
- The diner where Danny and Derek have breakfast before Danny goes to school is the same diner as in "The Big Lebowski" (1998).
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
