Marcel the Shell with Shoes On

Everybody loves Marcel.
Marcel the Shell with Shoes On (2022)
7.6/10
38 876
—
no scores
7.6/10
755
7.6/10
34000
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Release date
Budget
$6 000 000
Revenue
$6 909 209
Scenario
Composer
Producer
Paul S. Mezey
Actors
Photo Jenny Slate
Jenny Slate
Marcel (voice)
Photo Isabella Rossellini
Isabella Rossellini
Connie (voice)
Joe Gabler
Haysack Rep
Shari Finkelstein
60 Minutes Producer
Samuel Painter
60 Minutes Camera Operator
Blake Hottle
60 Minutes Camera Operator
Scott Osterman
60 Minutes Sound Mixer
All actors and roles (10)

Short description

Marcel is a small shell who lives with his grandmother Connie in a house they share with a pet ball of lint named Alan. The two are the only survivors of a community of shells that disappeared under circumstances they never learned. When a documentary filmmaker staying in the house notices them, he begins filming their daily life, and the short video he posts online turns Marcel into an unlikely internet celebrity. The attention brings both new opportunities and new pressures, and with it a reason to search for the family he lost.

The film is a stop-motion and live-action hybrid directed by Dean Fleischer Camp, who wrote the screenplay with Jenny Slate and Nick Paley. Slate voices Marcel, Isabella Rossellini voices Connie, and Camp appears as the filmmaker. It was Camp's first feature, followed later by Lilo & Stitch.

Made on a modest budget, the film returned only slightly more at the worldwide box office, though it found a wide audience afterward. On IMDb it holds a 7.6 rating from roughly 34,000 votes, and on TMDB a matching 7.6 from a much smaller number of votes, while critics rated it noticeably higher at 8.3 across nearly 200 reviews.

What's left behind the scenes

  • The original shell Marcel was purchased in a souvenir shop. When director and screenwriter Dean Fleischer-Camp discovered he needed new shells, he went to the same shop and found that the shells – even of the same type and displayed in the same shop – varied greatly from one another. In the end, Fleischer-Camp created the shells he needed using a 3D printer.
  • Work on the film took about seven years. The script was written, lines were devised for it, then everything was recorded and assembled, and then the whole process was repeated – until the lines for the entire film were recorded. After the storyboard for each scene was made, they filmed the live-action footage and backgrounds, followed by puppet animation filming (on average, a whole day of filming resulted in 5-10 seconds of screen time), and then all of this was overlaid onto the live-action footage.

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