Anaconda - crew, film crew
The entire team, the film crew of the film "Anaconda"
Anaconda (1997)
Timing:
1:30 (90 min)
5.266/10
2754
2754
6.098/10
40070
40070
4.9/10
124000
124000
Film crew
Director
Producer
Jack Epps Jr.
Producer
Verna Harrah
Producer
Carole Little
Producer
Leonard Rabinowitz
Producer
Executive Producer
Susan Ruskin
Executive Producer
Writer
Jack Epps Jr.
Writer
Hans Bauer
Writer
Casting
Mindy Marin
Casting
Editor
Michael R. Miller
Editor
Special Effects Supervisor
Chuck Gaspar
Special Effects Supervisor
Art Direction
Barry Chusid
Art Direction
Costume Design
Kathy Monderine
Costume Design
Stunts
Dennis Scott
Stunts
Denney Pierce
Stunts
Carol Daniels
Stunts
J. Mark Donaldson
Stunts
Sandy Berumen
Stunts
Eddie L. Watkins
Stunts
Terry James
Stunts
Nick Brett
Stunts
Jeff Podgurski
Stunts
Richard Epper
Stunts
Hugh Aodh O'Brien
Stunts
April Weeden
Stunts
Dain Turner
Stunts
Production Design
Kirk M. Petruccelli
Production Design
Stunt Coordinator
Webster Whinery
Stunt Coordinator
Second Unit Director
Beau Marks
Second Unit Director
Set Decoration
Daniel Loren May
Set Decoration
Makeup Artist
Ken Diaz
Makeup Artist
Original Music Composer
Unit Production Manager
James Dyer
Unit Production Manager
Co-Producer
Beau Marks
Co-Producer
Associate Producer
Orchestrator
Guy Moon
Orchestrator
Second Assistant Director
Xochi Blymyer
Second Assistant Director
Stunt Double
Terry Jackson
Stunt Double
Patricia Eskenazi
Stunt Double
Director of Photography
Camera Operator
Walt Fraser
Camera Operator
Steadicam Operator
Robert Ulland
Steadicam Operator
Costumer
Roberto Carneiro
Costumer
Sound Effects Editor
Simon Coke
Sound Effects Editor
Assistant Art Director
Tom Reta
Assistant Art Director
Property Master
Tracy Farrington
Property Master
Visual Effects Supervisor
Supervising Sound Editor
Richard C. Franklin
Supervising Sound Editor
Set Costumer
Gala Autumn
Set Costumer
Hairstylist
Dino Ganziano
Hairstylist
Still Photographer
Michael Douglas Middleton
Still Photographer
Lead Animator
Kelvin Lee
Lead Animator
Sound Mixer
Douglas B. Arnold
Sound Mixer
Visual Effects Producer
Robin Griffin
Visual Effects Producer
First Assistant Director
K.C. Colwell
First Assistant Director
Driver
John F. Teeple
Driver
Production Manager
Caique Martins Ferreira
Production Manager
Boom Operator
Steve Birkett
Boom Operator
Set Designer
Barbara Mesney
Set Designer
Foley Artist
Propmaker
Justin J. LaPresle
Propmaker
Construction Coordinator
Michael Muscarella
Construction Coordinator
Dialogue Editor
John H. Arrufat
Dialogue Editor
First Assistant Sound Editor
Destiny Borden
First Assistant Sound Editor
Best Boy Grip
Walter Royle
Best Boy Grip
Lighting Technician
Laurence Cropley
Lighting Technician
Key Grip
Philip Sloan
Key Grip
Location Manager
Deborah Laub
Location Manager
Grip
Gary A. Beaird
Grip
Dolly Grip
Edward C. Peters
Dolly Grip
Key Hair Stylist
Donna Barrett Gilbert
Key Hair Stylist
Leadman
Randy Bostic
Leadman
Assistant Location Manager
Jane E. Graves
Assistant Location Manager
Second Second Assistant Director
Lisanne Sartor
Second Second Assistant Director
Painter
Louis Medrano
Painter
Special Effects Technician
Tony Allard
Special Effects Technician
Foley Mixer
Nerses Gezalyan
Foley Mixer
Production Accountant
Gene Kelly
Production Accountant
Gene Kelly
Production Accountant
Casting Associate
Sculptor
Adam Martyn
Sculptor
Gaffer
David Maddux
Gaffer
Music Editor
Joanie Diener
Music Editor
Video Assist Operator
Roy Bean
Video Assist Operator
Storyboard Artist
Camera Trainee
Pedro Moraes
Camera Trainee
First Assistant Camera
Alex Touyarot
First Assistant Camera
Special Effects Assistant
Nancy Huffman
Special Effects Assistant
Standby Painter
Serge Genitempo
Standby Painter
Stand In
Vanessa Grayson
Stand In
Production Assistant
Fred Aghajanian
Production Assistant
Greensman
Glen Harmon
Greensman
VFX Artist
Ann Monn
VFX Artist
Unit Publicist
Mira Tweti
Unit Publicist
Production Coordinator
Kris Fullan Martinez
Production Coordinator
Visual Effects Coordinator
Visual Effects Editor
Scott Anderson
Visual Effects Editor
Visual Effects
Bill Houston Ball
Visual Effects
Payroll Accountant
Michael Neal
Payroll Accountant
Line Producer
Stelvio Rosi
Line Producer
ADR Editor
Avram D. Gold
ADR Editor
ADR Supervisor
Kimberly Harris
ADR Supervisor
Camera Loader
Gu Ramalho
Camera Loader
Assistant Production Coordinator
Justine Hebron
Assistant Production Coordinator
Second Assistant Camera
Marcela Bourseau
Second Assistant Camera
Visual Effects Art Director
Martin A. Kline
Visual Effects Art Director
Transportation Captain
Production Executive
Richard Harrah
Production Executive
Assistant Production Manager
Valeria Costa Amorim
Assistant Production Manager
First Assistant Accountant
Tiffany Fraser
First Assistant Accountant
Set Medic
Kevin A. Canamar
Set Medic
Aerial Camera
Toca Seabra
Aerial Camera
Color Timer
Dale E. Grahn
Color Timer
Craft Service
Todd Johnson
Craft Service
Negative Cutter
Mo Henry
Negative Cutter
Wardrobe Assistant
Inéz Salgado Miranda
Wardrobe Assistant
Assistant Camera
Jim Marquette
Assistant Camera
Compositing Lead
Colin Campbell
Compositing Lead
Supervising Technical Director
Serge Sretschinsky
Supervising Technical Director
Assistant Chief Lighting Technician
Rick Senteno
Assistant Chief Lighting Technician
Software Engineer
David Tanner
Software Engineer
Set Dressing Artist
Jon Aguilar
Set Dressing Artist
Transportation Co-Captain
Gregory Nutt
Transportation Co-Captain
Production Illustrator
Thomas W. Lay Jr.
Production Illustrator
Underwater Camera
Pete Romano
Underwater Camera
Pre-Visualization Coordinator
Anthony Ceccomancini
Pre-Visualization Coordinator
Animatronic and Prosthetic Effects
Steve Blumenkrantz
Animatronic and Prosthetic Effects
What's left behind the scenes
- Around a dozen live snakes, two mechanical snakes weighing almost a ton, and, of course, an incalculable number of virtual snakes were used in the filming.
- Jennifer Lopez’s character was originally named Terry Porter.
- Jean Reno was considered for the role of Paul Sarone.
- Gillian Anderson and Julianna Margulies declined the role of Terry Flores.
- During the filming of one of the scenes inside the animatronic anaconda, the circuits short-circuited, and it went completely out of control. Some footage of the anaconda in this state made it into the film.
- In reality, anacondas have round pupils. In this film, they were made slightly slanted to give the creature a more menacing appearance.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
