Coming to America - actors, characters and roles
All actors and their roles in the film "Coming to America"
Coming to America (1988)
Timing:
1:57 (117 min)
6.877/10
4683
4683
7.702/10
106031
106031
7.1/10
239000
239000
Actors and characters
Allison Dean
Character Patrice McDowell
Feather
Character Rose Bearer #1
Stephanie Simon
Character Rose Bearer #2
Birdie M. Hale
Character Elderly Passenger
Victoria Dillard
Character Bather / Dancer
Felicia Taylor
Character Bather
Sheila Johnson
Character Lady-in-Waiting
Uncle Ray Murphy
Character Stu
Paulette Banoza
Character Soul Glo Woman
Patricia Matthews
Character Devil Woman
Mary Bond Davis
Character Big Stank Woman
Carla Earle
Character Tough Girl
Karen Owens
Character Ex-Siamese Twin / Dancer
Sharon Owens
Character Ex-Siamese Twin / Dancer
Lisa Gumora
Character Kinky Girl
June Boykins
Character Strange Woman
Janette Colon
Character Fresh Peaches
Vanessa Colon
Character Sugar Cube
Monique Mannen
Character Boring Girl / Dancer
Mindora Mimms
Character Awareness Woman
Cynthia Finkley
Character Awareness Woman
David Sosna
Character Cartier Delivery Man
Arthur Adams
Character Mr. Jenks
Loni Kaye Harkless
Character Mrs. Jenks
Montrose Hagins
Character Grandma Jenks
Tonja Rivers
Character Party Guest
Leah Aldridge
Character Dancer (uncredited)
Aurorah Allain
Character Dancer (uncredited)
Paula Brown
Character Dancer (uncredited)
Dwayne Chattman
Character Dancer (uncredited)
Stephanie Clark
Character Dancer (uncredited)
Robin L. Dimension
Character Dancer (uncredited)
Shaun Earl
Character Dancer (uncredited)
Eric L. Ellis
Character Dancer (uncredited)
Sharon Ferrol-Young
Character Dancer (uncredited)
Eric D. Henderson
Character Dancer (uncredited)
Gigi Hunter
Character Dancer (uncredited)
Debra Johnson
Character Dancer (uncredited)
Tanya Lynne Lee
Character Dancer (uncredited)
Jimmy Locust
Character Dancer (uncredited)
Donna M. Perkins
Character Dancer (uncredited)
Dionne Rockhold
Character Dancer (uncredited)
Gina Consuela Rose
Character Dancer (uncredited)
Randolph Scott
Character Dancer (uncredited)
Robbin Tasha-Ford
Character Dancer (uncredited)
Jerald Vincent
Character Dancer (uncredited)
Eyan Williams
Character Dancer (uncredited)
Roy Milton Davis
Character Homeless Man Around Garbage Can Bonfire (uncredited)
Dorian DeMichele
Character Viola (uncredited)
Alison Gordy
Character Blond Hooker / Bag Lady in Fast Food Place (uncredited)
Mary Young
Character Stuck-Up Girl (uncredited)
Darla
Character Dottie
What's left behind the scenes
- The basis for the film's script was written by satirist Art Buchwald. However, Paramount Pictures rejected his idea, stating that it was uninteresting. As a result, the film was made without the author's knowledge. The surprised satirist only saw the realization of his vision in the cinema. Because of this, Buchwald sued Paramount Pictures in 1990. He won the case: the studio was ordered to pay him $900,000. Since then, film studios have made it a rule to include a clause in their contracts stating that original ideas from outside authors are not subject to payment. This reference has gone down in history as the "Buchwald Law" in American copyright law.
- After Eddie Murphy had his makeup applied and dressed as Saul, the Jewish man, the actor decided to test the makeup and costume. He took a golf cart and drove it from one department of the Paramount studio to another, where he got out of the golf cart and, in his normal voice, said, “Hello. It’s me, Eddie Murphy.” No one believed him.
- Much of the dance performed by the royal dancers in the scene with the future queen is a sped-up version of the dance from Michael Jackson's (1958-2009) “Thriller” (1983) music video.
- According to director John Landis, he came up with the idea to have Eddie Murphy play a Jewish man. It was a kind of revenge for the fact that in the early 20th century, Jewish actors often played Black characters. Screenwriter Barry W. Blaustein consulted with his own father when writing Murphy’s lines as the Jewish man.
- The African dance in the film was choreographed by singer Paula Abdul. It had to be filmed exclusively to the beat of drums, as composer Nile Rodgers had not yet finished writing the music for the film. The dancers kept slipping, so a binding material had to be sprayed on the floor, and the filming of the dance took a whole day.
- Eddie Murphy and Arsenio Hall played a wide variety of characters, so they had to spend 3-4 hours in the makeup chair each time to change their appearance. Costume designer Deborah Nedelman created over 500 costumes, drawing inspiration from the work of Christian Dior (1905-1957) from the early 1950s, as well as everyday clothing customary in the Ivory Coast, Gambia, and Senegal. The jewelry was created by Catherine Post from Thailand. When working on the design of the royal palace, John Landis was inspired by the Royal Pavilion (the former seaside residence of British monarchs) and the work of Henri Rousseau (1844-1910) from the late 19th century.
- Filming in New York wrapped up in February 1988, after which work on the film continued in Los Angeles. Within the Paramount Pictures studio pavilions, they constructed the palace of Prince Akeem, bathhouses, and makeup rooms. It is claimed, however, that Eddie Murphy refused to travel to California for the reception scenes, stating in a documentary filmed by Orson Welles (1915-1985) that, according to Nostradamus’s (1503-1566) prediction, an earthquake was expected in California that week. Director John Landis found a solution. He had Murphy arrive early, filmed numerous close-ups of him, and then shot the rest after the actor had left. The film remained on schedule. The earthquake never happened.
- The making of the film was accompanied by scandals. At one point, it escalated to a fight between director John Landis and Eddie Murphy. Then, the owner of a local McDonald’s restaurant arrived on set with his lawyer and began threatening to sue the filmmakers (although they had official filming permission from the fast-food chain’s management). Paramount Pictures was angry with Eddie Murphy, who allegedly tried to get his friends and relatives hired in various, self-created positions on the film crew. Murphy, in turn, later claimed that Paramount Pictures had not paid him the amount stipulated in his contract.
- In the film, there is an episode where the main characters pass by two beggars. The Prince gives them his last money, and they turn out to be Randolph and Mortimer Duke, whom Eddie Murphy’s character ruined in 'Trading Places'.
- The basis for the film's script was written by satirist Art Buchwald. However, Paramount Pictures rejected his idea, stating that it was uninteresting. As a result, the film was made without the author's knowledge. The surprised satirist only saw the realization of his vision in a movie theater. Because of this, Buchwald sued Paramount Pictures in 1990. He won the case: the studio was ordered to pay him $900,000. Since then, film studios have made it a rule to include a clause in their contracts stating that original ideas from outside authors are not subject to payment. This reference entered American copyright history as “Buchwald’s Law”.
- Filming in New York wrapped in February 1988, after which work on the film continued in Los Angeles. The palace of Prince Akeem, bathhouses, and makeup rooms were built on the grounds of the Paramount Pictures studio. It is claimed, however, that Eddie Murphy refused to travel to California for the filming of the reception, stating in a documentary filmed by Orson Welles (1915-1985) that, according to Nostradamus's (1503-1566) prediction, an earthquake was expected in California that week. Director John Landis found a solution. He had Murphy come in advance, shot many close-ups of him, and filmed everything else after the actor had left. The film remained on schedule. The earthquake never happened.
- There is an episode in the film where the main characters pass by two beggars. The Prince gives them his last money, and they turn out to be Randolph and Mortimer Duke, ruined by Eddie Murphy's character in 'Trading Places'.
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