Turkish Delight - actors, characters and roles
All actors and their roles in the film "Turkish Delight"
Turks Fruit (1973)
Timing:
1:48 (108 min)
6.847/10
216
216
7.439/10
6200
6200
7.1/10
13000
13000
Actors and characters
Tonny Huurdeman
Character Mrs Stapels
Wim van den Brink
Character Stapels
Hans Boskamp
Character Store manager
Dolf de Vries
Character Dr Paul Kruithof
Manfred de Graaf
Character Henny
Marjol Flore
Character Tineke Elffers
Bert Dijkstra
Character Hospital official
Bert André
Character Tourism board member
Jon Bluming
Character Security agent
Paul Brandenburg
Character Bridegroom
Suze Broks
Character Truus
David Conyers
Character American
Marijke Frijlink
Character Moniek
Reinier Heidemann
Character Police officer
Wim Hoddes
Character Head waiter
Hans Kemna
Character Sculptor
Liëla Koguchi
Character Pickup with baby
Elsa Lioni
Character Reveller
Aimée Mars
Character Indonesian pickup
Ad Noyons
Character Hospital official
Joost Prinsen
Character Police officer
George Schutte
Character Englishman
Maartje Seyferth
Character Josje
Robert Sobels
Character Hospital director
John Soer
Character Usher
Jeanneke Stam
Character Pregnant bride
Johan te Slaa
Character Farmer
Jaap van Donselaar
Character Sculptor
Paul van Gorcum
Character Registrar
Heleen van Meurs
Character Matron
Frans Vasen
Character Funeral director
Jan Wegter
Character Assembly line supervisor
Jacques Luijer
Character Police officer
What's left behind the scenes
- A more accurate translation of the title is "Turkish Delight".
- Director Paul Verhoeven and cinematographer Jan de Bont had just watched William Friedkin's thriller *The French Connection* (1971) and unanimously decided that their future film would ideally focus on realism with natural lighting, handheld camera work, and so on. However, after filming began, Verhoeven "backed down" and decided to return to shooting with stationary cameras and artificial lighting, as in his own 1971 film *Diary of a Hooker*. De Bont flatly refused to follow Verhoeven's instructions and shot the first scenes of the film as they had originally intended. This led to a quarrel between Verhoeven and de Bont, and three days after filming began, Verhoeven almost fired the cinematographer. However, seeing the first results of the shooting, he found the courage to admit that he was not right, but de Bont was.
- A more accurate translation of the title is “Turkish Delights”.
- Director Paul Verhoeven and cinematographer Jan de Bont had just watched William Friedkin’s thriller “The French Connection” (1971) and unanimously decided that for their future film, an emphasis on realism with natural lighting, handheld camera work, etc., would be ideal. However, after the start of filming, Verhoeven “backed down” and decided to return to shooting with stationary cameras and artificial lighting, as in his own 1971 film “Diary of a Hooker.” De Bont categorically refused to follow Verhoeven’s instructions and shot the first scenes of the film as they had originally envisioned. This led to a quarrel between Verhoeven and de Bont, and three days after the start of filming, Verhoeven almost fired the cinematographer. However, having seen the first results of the shooting, he found the courage to admit that he was wrong and that de Bont was right.
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
