A Star Is Born

Is the price of stardom a broken heart?
A Star Is Born (1937)
7.3/10
13 356
—
no scores
7.2/10
246
7.3/10
12000
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Release date
Budget
$1 173 639
Revenue
$4 360 000
Scenario
Composer
Actors
Photo Janet Gaynor
Janet Gaynor
Esther Blodgett
Photo Fredric March
Fredric March
Norman Maine
Photo Adolphe Menjou
Adolphe Menjou
Oliver Niles
Photo May Robson
May Robson
Lettie Blodgett
Photo Andy Devine
Andy Devine
Danny McGuire
Photo Lionel Stander
Lionel Stander
Matt Libby
Photo Owen Moore
Owen Moore
Casey Burke
Photo Peggy Wood
Peggy Wood
Miss Phillips
All actors and roles (10)

Short description

Esther Blodgett is a young woman from a farming family with ambitions of making it in Hollywood. While working as a waitress at a party, she is noticed by Norman Maine, a film star she has long admired, and he arranges for her to take a screen test. She is soon transformed into the celebrated actress Vicki Lester, and she and Norman marry. As her fame grows, his own career declines, a slide tied to his drinking, and the strain between their two trajectories shapes the marriage.

William A. Wellman directed this 1937 drama, the sixth of the sixteen films he directed in chronological order, following Stingaree and preceding Nothing Sacred. David O. Selznick produced and wrote the screenplay with Ben Hecht and Dorothy Parker, and Selznick International Pictures made it on a budget of one million dollars. Janet Gaynor plays Esther, with Fredric March as Norman Maine, Adolphe Menjou as Oliver Niles, May Robson, Andy Devine and Lionel Stander among the credited cast of forty-one.

Released in April 1937 and running 111 minutes, the film returned two million dollars at the worldwide box office. It holds a 7.3 rating on IMDb from around 12,000 votes and a 7.2 on TMDB from roughly 244 votes, while its critics' rating stands at 7.7 from 24 reviews.

What's left behind the scenes

  • It is considered the first film shot in Technicolor that was well-received by both critics and audiences. Before the release of "A Star Is Born" and "Nothing Sacred" (William A. Wellman, 1937), color films used such garish colors that they caused migraines (according to more than one film critic). Here, producer David O. Selznick (1902-1965) insisted that the colors be muted and therefore more realistic. It is believed that the success of these two films made possible the appearance of a masterpiece in Technicolor – Victor Fleming’s melodrama "Gone with the Wind" (1939).
  • Producer David O. Selznick initially rejected the script because films about Hollywood generally failed at the box office. He was convinced to take on the story by his wife, Irene Mayer Selznick.

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