Clash by Night

Livin’ in my house! Lovin’ another man! Is that what you call bein’ honest? That’s just givin’ it a nice name!
Clash by Night (1952)
7/10
9 540
—
no scores
6.7/10
142
7/10
8200
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Release date
Director
Scenario
Alfred Hayes
Composer
Producer
Actors
Photo Barbara Stanwyck
Barbara Stanwyck
Mae Doyle D'Amato
Photo Paul Douglas
Paul Douglas
Jerry D'Amato
Photo Robert Ryan
Robert Ryan
Earl Pfeiffer
Photo J. Carrol Naish
J. Carrol Naish
Uncle Vince
Photo Keith Andes
Keith Andes
Joe Doyle
Photo Silvio Minciotti
Silvio Minciotti
Papa D'Amato
Photo Tony Martin
Tony Martin
Singer of 'I Hear a Rhapsody' (voice, uncredited)
All actors and roles (10)

Short description

Mae Doyle returns to her hometown of Monterey, a fishing town on the California coast, after years spent chasing a different life elsewhere. Disappointed by what she found, she settles into her brother Joe's house and befriends Peggy, a young cannery worker who dreams of leaving the way Mae once did. Mae marries Jerry D'Amato, a kind-hearted fisherman, but she soon grows restless inside the modest life he offers and is drawn to Earl Pfeiffer, a friend of her husband with few scruples. The tension between what she wants and what she has settled for pulls the marriage toward crisis.

Fritz Lang directed the film, the twentieth of the twenty-four features he made in chronological order, following Rancho Notorious and preceding The Big Heat. Alfred Hayes wrote the screenplay, and the production came from RKO Radio Pictures with Wald/Krasna Productions. Barbara Stanwyck plays Mae, with Paul Douglas as Jerry, Robert Ryan as Earl and Marilyn Monroe as Peggy; Keith Andes and J. Carrol Naish are also credited among a cast of forty-three.

On IMDb, the film holds a rating of 6.7 from 137 votes, while critics gave it 7.2 from 17 reviews, a slightly warmer response than that of the wider audience. It runs 105 minutes and was released in the United States on May 30, 1952.

What's left behind the scenes

  • This was one of Marilyn Monroe's first roles (she played Peggy), and she was still studying acting. Monroe relied on the help of her mentor during the filming of every scene. The mentor would stand behind director Fritz Lang and signal to Monroe whether her performance in a particular instance was good. When Lang realized what was happening, he flew into a rage and ordered the mentor to leave. Monroe became stubborn and refused to act without her mentor, forcing Lang to allow her back on set, but on the condition that he alone would decide how Monroe's performance was evaluated.

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