Cabiria

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Cabiria (1914)
Timing: 2:28 (148 min)
7.1/10
5 778
—
no scores
7.2/10
151
7.1/10
4300
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Release date
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Production
Genre
Budget
$0
Revenue
$0
Website
Actors
Carolina Catena, Lidia Quaranta, Gina Marangoni, Dante Testa, Umberto Mozzato, Bartolomeo Pagano, Raffaele di Napoli, Emilio Vardannes, Edoardo Davesnes, Italia Almirante-Manzini
All actors and roles (10)
Scenario
Operator
Giovanni Tomatis
Composer
Artist
Audition
Editing

Short description

Set in the third century BC, Cabiria follows a young Sicilian girl whose life is upended when an eruption of Mount Etna destroys her city. Separated from her father, who believes her dead, she is captured by pirates and taken to Carthage, where she is sold into slavery and marked for sacrifice to the god Moloch. A Roman spy, Fulvio Axilla, and his powerful slave Maciste intervene to save her.

Giovanni Pastrone directed, produced and co-wrote the film, which was made by the Italian studio Itala Film. Gabriele D'Annunzio is credited as the other screenwriter. The large cast includes Carolina Catena and Lidia Quaranta, who play Cabiria as a child and as an adult respectively, alongside Gina Marangoni as her nurse Croessa, Dante Testa as Karthalo, Umberto Mozzato as Fulvio and Bartolomeo Pagano as Maciste. Pastrone had directed earlier features before this one, and Cabiria was among the most ambitious Italian productions of its time, noted for its scale and its extended running time of well over two hours.

Audience response has remained steady across generations. On IMDb, the film holds a rating of 7.1 from roughly 4,300 votes, while on TMDB it scores 7.2 from a much smaller base of 149 votes. A critics' rating of 7.3 from 28 reviews places professional assessments slightly above the audience scores on IMDb. The spread suggests the film is regarded as a significant early example of the historical epic, though not one that draws large modern audiences.

What's left behind the scenes

  • Pilot Giovanni Vidner flew four circles over Rome, showering it with leaflets announcing the film's premiere.
  • During the filming of the movie, Giovanni Pastrone used 12 arc reflectors of 100 amps each, the brightness of which he enhanced with reflecting screens covered in sheets of tin foil.
  • Bartolomeo Pagano was not a professional actor, but a stevedore at the port of Genoa.
  • Giovanni Pastrone placed glass over painted floors to simulate polished marble.
  • To make Enrico Gemelli appear natural with a false beard, Giovanni Pastrone ordered him to grow his own.
  • Preparing for filming, Giovanni Pastrone patented a trolley, the "travelling" (Italian: carello), in Italy on August 5, 1912. Simultaneously with the use of the trolley, Giovanni Pastrone first introduced several technical techniques: straight or zigzag movement, movement parallel to the scenery, and approaching and receding the camera.
  • The film, and especially one of its characters—the giant Machiste (in the old Russian pronunciation, Matsist) played by Bartolomeo Pagano—was so popular that it is mentioned in Ilf and Petrov’s novel "The Twelve Chairs": "Ippolit Matveyevich was nicknamed Matsist in the office for his height, and especially for his mustache, although the real Matsist had no mustache at all."
  • According to Jerzy Těplice, the screenplay was written by Giovanni Pastrone, signing it under the pseudonym Piero Fosco. Gabriele D'Annunzio merely placed his name in the credits.

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