The Baader Meinhof Complex

Der Baader Meinhof Komplex (2008)
7.3/10
47 724
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7/10
677
7.3/10
42000
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Release date
Budget
$20 000 000
Revenue
$26 036 484
Director
Scenario
Composer
Photo Peter Hinderthür
Peter Hinderthür
Producer
Actors
Photo Martina Gedeck
Martina Gedeck
Ulrike Meinhof
Photo Moritz Bleibtreu
Moritz Bleibtreu
Andreas Baader
Photo Johanna Wokalek
Johanna Wokalek
Gudrun Ensslin
Photo Nadja Uhl
Nadja Uhl
Brigitte Mohnhaupt
Photo Stipe Erceg
Stipe Erceg
Holger Meins
Photo Niels-Bruno Schmidt
Niels-Bruno Schmidt
Jan Karl Raspe
Photo Vinzenz Kiefer
Vinzenz Kiefer
Peter-Jürgen Boock
Photo Simon Licht
Simon Licht
Horst Mahler
All actors and roles (10)

Short description

Set in West Germany during the 1970s, The Baader Meinhof Complex follows Andreas Baader, Ulrike Meinhof and Gudrun Ensslin as they form the Red Army Faction. Driven by anger at what they see as a new form of fascism, with American intervention abroad backed by figures in German politics and industry, the group turns to bombings and shootings against the state. Their campaign shakes a still fragile democracy and leaves casualties on both sides, while their own ideals erode as their methods grow more ruthless. Horst Herold, head of the federal police, leads the hunt for them and comes to understand his opponents even as he pursues them, knowing that capturing the leaders will not put an end to the violence.

Uli Edel directed, working from a screenplay he wrote with producer Bernd Eichinger. It is the ninth feature in the directing career that runs from Christiane F. in 1981 through Last Exit to Brooklyn and Body of Evidence to this film and, later, Pay the Ghost. Martina Gedeck plays Meinhof, Moritz Bleibtreu plays Baader and Johanna Wokalek plays Ensslin, with Nadja Uhl, Stipe Erceg and Niels-Bruno Schmidt among a credited cast of 52.

Made for around 20 million dollars, the film took about 27 million worldwide, a modest return for a German production of its scale. On IMDb it holds a critics' rating of 7 out of 10 from 98 reviews, and on TMDB it averages 7 out of 10 from 671 votes, so professional and general viewers land in much the same place.

What's left behind the scenes

  • The immediate reaction of Ines Pont, widow of Jürgen Pont, whose murder is depicted in the film, after watching it was to refuse a state award for merit. She was angered that the FRG had never created a memorial to the victims of the RAF, but instead helped finance a film about members of the organization. Furthermore, she said, she was not warned that the film would show Pont's murder when she was invited to the premiere, and therefore felt humiliated by the producers who forced her to see the footage without warning. A month later, she sued the film's producers, who claimed that every scene was historically accurate, but the murder of her husband, which she witnessed from a neighboring room, was depicted incorrectly. She demanded that the scene of her husband's murder be removed from the film. The filmmakers stated that they had tried to contact her to find out details of the murder, but Ines Pont was unwilling to cooperate. Pont's murder had not been shown in the cinema before, and Ines believed that this dishonored her husband.

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