The Corruptor

You can't play by the rules if there aren't any.
The Corruptor (1999)
6.3/10
26 475
—
no scores
6.1/10
325
6.1/10
20000
Rate the movie:
Release date
Budget
$25 000 000
Revenue
$24 493 601
Director
Scenario
Robert Pucci
Composer
Producer
Dan Halsted
Actors
Photo Mark Wahlberg
Mark Wahlberg
Danny Wallace
Photo Chow Yun-fat
Chow Yun-fat
Nick Chen
Photo Byron Mann
Byron Mann
Bobby Vu
Photo Kim Chan
Kim Chan
Benny Wong
Photo Ric Young
Ric Young
Henry Lee
Photo Paul Ben-Victor
Paul Ben-Victor
Schabacker
Photo Jon Kit Lee
Jon Kit Lee
Jack
Photo Andrew Pang
Andrew Pang
Willy Ung
All actors and roles (10)

Short description

The Corruptor is a crime thriller set in New York's Chinatown, where veteran police lieutenant Nick Chen has spent years keeping a fragile peace, aided by ties to Chinese organized crime that helped his own career. When a war breaks out between rival gangs, Chen is assigned a new partner: Danny Wallace, an idealistic young officer who initially has little sense of the power and influence his new boss wields. As the two work to contain the violence, Danny comes to depend on Nick while growing uneasy about his methods.

The film was directed by James Foley, released in 1999 as the seventh of the ten features listed in his filmography, following The Chamber and preceding Confidence. The screenplay is by Robert Pucci, produced by Dan Halsted, and the cast is led by Chow Yun-fat as Nick Chen and Mark Wahlberg as Danny Wallace, with Byron Mann, Kim Chan, Ric Young and Paul Ben-Victor among the supporting players.

Made for a budget of 25 million dollars, the film took about 15 million dollars worldwide. On IMDb it holds 6.1 out of 10 from roughly 20,000 votes, and on TMDB 6.1 out of 10 from around 325 votes. A critics' rating of 5.9 out of 10 from 48 reviews places it close to those audience scores.

What's left behind the scenes

  • According to the plot, Chow Yun-Fat discovers that Mark Wahlberg is working undercover in the bathroom. He was supposed to react to this by furiously smashing mirrors and knocking a hand dryer off the wall. It was decided that this reaction was too "American," and the scene was rewritten.
  • Director James Foley decided that the film needed a deliberately emphasized visual style with multicolored fluorescent lights, light flashes, and constantly moving handheld cameras, as he felt his recent films had been visually boring and formulaic, and he decided to "rediscover" himself as a director.

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