The Crime Is Mine

Who benefits from the crime?
Mon crime (2023)
Timing: 1:43 (103 min)
6.6/10
17 152
—
no scores
6.5/10
480
6.5/10
7300
Rate the movie:
Release date
Budget
$13 700 000
Revenue
$10 474 934
Director
Scenario
Philippe Piazzo
Operator
Composer
Artist
Jean Rabasse, Baptiste Tordeux
Audition
David Bertrand, Anaïs Duran
Editing
Laure Gardette
All team (61)

Short description

Madeleine Verdier is a young actress in 1930s Paris with plenty of charm but little money and even less talent. When a well-known producer is found dead, she becomes the prime suspect. Her closest friend Pauline, a lawyer without a practice, defends her, and the court accepts a claim of self-defense. The acquittal turns Madeleine into a celebrated figure, and fame and success follow, until the true circumstances of the producer's death threaten to surface.

François Ozon directed and co-wrote the screenplay with Philippe Piazzo. The film is the eighteenth of the twenty features he has directed in chronological order, arriving between Peter von Kant and When Fall Is Coming. Nadia Tereszkiewicz and Rebecca Marder play the two friends, with Isabelle Huppert, Fabrice Luchini, Dany Boon and André Dussollier heading the supporting cast. The production involved 26 credited cast members and 61 credited crew, and was made for a budget of 14 million US dollars.

On IMDb the film holds 6.5 out of 10 from around 7,300 votes, and on TMDB it also stands at 6.5 from roughly 480 votes, while a critics' rating of 7.2 from 65 reviews places it somewhat higher. Its worldwide box office of 10 million US dollars came in below its production budget.

What's left behind the scenes

  • The image of Isabelle Huppert's character is based on the famous theater actress Sarah Bernhardt (1844-1923).
  • The poster for the fictional production “Dans Le Calvaire de Suzette” is a copy of the famous black-and-white photograph of film actress Louise Brooks (1906-1985) with a string of pearls.
  • Director and screenwriter François Ozon conceived this film during the period of COVID restrictions. The film was created under the influence of American eccentric comedies of the 1930s, particularly the works of directors Ernst Lubitsch (1892-1947) and Frank Capra (1897-1991), as well as American perceptions of Paris during the same period, as shown in cinema, such as in Blake Edwards' comedic melodrama “Victor/Victoria” (1982).

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