After Hours

When it's after midnight in New York City, you don't have to look for love, laughter and trouble. They'll all find you!
After Hours (1985)
Timing: 1:37 (97 min)
7.6/10
117 232
—
no scores
7.5/10
1837
7.6/10
97000
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Release date
Country
Budget
$4 500 000
Revenue
$10 609 321
Website
Director
Scenario
Operator
Composer
Artist
Jeffrey Townsend, Leigh Kyle
Audition
Mary Colquhoun

Short description

After Hours follows Paul Hackett, a word processor in uptown Manhattan whose dull daily routine pushes him to arrange a late-night meeting downtown with a woman he has just met. What begins as a simple date turns into a long, chaotic night in a part of the city that seems to work by its own rules. Separated from everything familiar, Paul finds himself stranded among strangers and drawn into a series of increasingly strange encounters as he tries to make his way home.

Martin Scorsese directed the film, the eleventh of the thirty-eight features listed for him, arriving between The King of Comedy and The Color of Money. Joseph Minion wrote the screenplay, and Robert F. Colesberry, Griffin Dunne and Amy Robinson produced. Dunne plays Paul, with Rosanna Arquette as Marcy, Verna Bloom as June, Tommy Chong as Pepe, Linda Fiorentino as Kiki and Teri Garr as Julie, among thirty-seven credited cast members and fifty-five credited crew.

Made for about five million dollars and released in September 1985, the film took roughly eleven million dollars worldwide. On IMDb it holds 7.6 out of 10 from around 97,000 votes, and on TMDB 7.5 out of 10 from a much smaller base. A critics' rating of 7.9 out of 10 from seventy reviews places it slightly above both audience scores.

What's left behind the scenes

  • The script was written as an assignment for a class by Joseph Minion, a film student at Columbia University.
  • Scorsese advised Griffin Dunne not to sleep or have sex during filming to achieve the necessary level of tension.
  • Martin Scorsese couldn't come up with a suitable ending for the film, so he asked Brian De Palma, Steven Spielberg, and Terry Gilliam to watch the film and give their opinion on how it should end.

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Who gave the best performance here?

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