The Associate

Behind every great man is a woman... Wishing he'd get the hell out of her way.
The Associate (1996)
1:54 (114 min)
6.4/10
12 454
—
no scores
6.2/10
245
6.2/10
9700
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Release date
Budget
$23 000 000
Revenue
$12 844 057
Director
Scenario
Jenaro Prieto
Author
Composer
Vassal Benford
Producer
Patrick Markey
Actors
Photo Whoopi Goldberg
Whoopi Goldberg
Laurel Ayres
Photo Dianne Wiest
Dianne Wiest
Sally Dugan
Photo Eli Wallach
Eli Wallach
Donald Fallon
Photo Tim Daly
Tim Daly
Frank Peterson
Photo Bebe Neuwirth
Bebe Neuwirth
Camille Scott
Photo Austin Pendleton
Austin Pendleton
Aesop Franklin
Photo Lainie Kazan
Lainie Kazan
Cindy Mason
Photo George Martin
George Martin
Walter Manchester
All actors and roles (10)

Short description

Laurel Ayres is a sharp financial analyst on Wall Street who does the work while a male colleague takes the credit. When a promotion she deserves goes to him instead, she leaves to open her own advisory firm. She soon finds that clients will not put their money in the hands of a woman, so she invents a male business partner, Robert S. Cutty, and presents herself as his representative. The fiction works and her business grows, but success brings its own problem: clients and rivals alike want to meet the elusive Mr. Cutty, and a police inquiry into her supposed partner forces her to keep the deception alive.

The Associate was directed by Donald Petrie and written by Nick Thiel. It is the fifth of the twelve features Petrie directed, arriving between The Favor and My Favorite Martian, and it follows his run of comedies through the early and mid-1990s. Whoopi Goldberg plays Laurel, with Dianne Wiest, Eli Wallach, Tim Daly, Bebe Neuwirth and Austin Pendleton among the credited cast of forty-two. The production, backed by Universal Pictures with PolyGram Filmed Entertainment, Hollywood Pictures and Interscope Communications, cost about 23 million dollars and took roughly 13 million worldwide, a modest return. On IMDb it holds 6.2 from around 9,700 votes, and on TMDB 6.2 from about 245; a critics' rating of 5.2 from 18 reviews places it slightly below those audience scores.

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