My Man Godfrey

Butler! FOR THE COCK-EYEDEST FAMILY in the WHOLE WORLD!...and the butler-blonde battle was on!
My Man Godfrey (1936)
Timing: 1:35 (95 min)
7.9/10
31 742
—
no scores
7.6/10
407
7.9/10
29000
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Release date
Country
Production
Genre
Budget
$575 375
Revenue
$684 200
Website
Director
Scenario
Operator
Ted Tetzlaff
Composer
Artist
Audition
Editing
Ted J. Kent, Russell F. Schoengarth
All team (12)

Short description

During the Great Depression, a wealthy and carefree New York socialite, Irene Bullock, takes part in a scavenger hunt that requires her to bring back something nobody wants. At a city dump by the East River she finds Godfrey, a homeless man with unexpectedly refined manners, and brings him to the party as her prize. She then hires him as the family butler. The Bullocks turn out to be idle and badly behaved, and Irene's sister Cornelia resents Godfrey from the start and works to have him dismissed. Godfrey, who keeps his past to himself, gradually changes the household while Irene's feelings for him grow.

Gregory La Cava directed the film, which sits between Half a Bride and Stage Door in the filmography listed here, and the screenplay was written by Eric Hatch and Morrie Ryskind, with Charles R. Rogers producing for Universal Pictures. William Powell and Carole Lombard lead the cast as Godfrey and Irene, with Alice Brady, Gail Patrick, Eugene Pallette and Jean Dixon among the credited players, forty-three in all.

The film runs 95 minutes. On IMDb it holds 7.9 from around 29,000 votes, a figure consistent with a widely seen classic comedy, while on TMDB it stands at 7.6 from roughly 400 votes. A critics' rating of 8.8 from 38 reviews places it above the audience scores on both platforms.

What's left behind the scenes

  • Carol Lombard (1908-1942) occasionally inserted profanities into her own lines, so scenes with her participation had to be reshot repeatedly.
  • William Powell (1892-1984) suggested his former wife, Carol Lombard, for the role of the main character, stating that their relationship at the time strongly resembled the relationship between the main characters.
  • Once, William Powell and film director Gregory La Cava (1892-1952) couldn't figure out the film's main character, Godfrey, so they decided they couldn't sort it out without a drink. They 'persuaded' a bottle of whiskey right in Powell's dressing room. The next morning, La Cava, with a terrible headache, arrived on set and found Powell missing. Soon, a telegram from Powell arrived on set: "We found Godfrey, but we lost Powell. See you tomorrow."

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