Doctor Dolittle

Ride across the sea inside the GIANT PINK SEA SNAIL!
Doctor Dolittle (1967)
6.2/10
12 207
—
no scores
6.2/10
211
6.2/10
11000
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Release date
Budget
$17 000 000
Revenue
$9 000 000
Scenario
Photo Hugh Lofting
Hugh Lofting
Author
Composer
Photo Leslie Bricusse
Leslie Bricusse
Producer
Arthur P. Jacobs
Actors
Photo Rex Harrison
Rex Harrison
Dr. John Dolittle
Photo Samantha Eggar
Samantha Eggar
Emma Fairfax
Photo Anthony Newley
Anthony Newley
Matthew Mugg
Photo Richard Attenborough
Richard Attenborough
Albert Blossom
Photo Peter Bull
Peter Bull
General Bellowes
Photo Muriel Landers
Muriel Landers
Mrs. Blossom
Photo William Dix
William Dix
Tommy Stubbins
Photo Geoffrey Holder
Geoffrey Holder
William Shakespeare X
All actors and roles (10)

Short description

Doctor Dolittle is a musical adventure film about a small-town English veterinarian in 1845 who has learned to speak the languages of animals, a skill taught to him by his parrot Polynesia. Unable to relate to people, who regard him as eccentric, he devotes himself to his animal patients. When he sets out to find the legendary Great Pink Sea Snail, his journey takes him across the sea with a group of companions, and eventually to a floating island facing a serious threat.

The film was directed by Richard Fleischer, the tenth of the twenty-three features he made in chronological order, following Fantastic Voyage and preceding The Boston Strangler. Leslie Bricusse wrote the screenplay, and Arthur P. Jacobs produced. Rex Harrison plays Dr. John Dolittle, with Samantha Eggar as Emma Fairfax, Anthony Newley as Matthew Mugg, Richard Attenborough as Albert Blossom, Peter Bull as General Bellowes and Muriel Landers as Mrs. Blossom among a credited cast of thirty-five.

Released by 20th Century Fox and APJAC Productions, the film runs 151 minutes and mixes adventure, comedy, family, fantasy and music. Its reported budget of 17 million dollars far exceeded its worldwide box office of about 9 million dollars. On IMDb it holds 6.2/10 from around 11,000 votes, and on TMDB also 6.2/10, from roughly 206 votes. A critics' rating of 4.5/10 from 21 reviews places it below those audience scores.

What's left behind the scenes

  • No one expected problems filming ducks on the pond until the birds, placed on the water, began to sink. It turned out the filming took place during a season when ducks lack a special oil on their feathers that allows them to stay afloat.
  • The film received scathing reviews from critics, and the news that it was nominated for an "Oscar" for "Best Picture" caused a considerable scandal. Anthony Holden claims in his 1994 book "Behind the Oscar," that this happened because the film company spared no expense courting members of the Academy of Motion Picture Arts and Sciences. As a result, the film was indeed nominated for the award in 9 categories, including "Best Picture."
  • The piglet appearing in the film had to be replaced several times, as piglets grow very quickly.
  • The squirrels involved in the filming damaged (gnawed on) some of the set decorations. Several thousand dollars were spent on their repair and replacement.
  • Filming the scene in which Rex Harrison (1908-1990) sings in a field among sheep had to be interrupted several times to spray the actor with insect repellent. Moreover, several sheep decided to urinate on him, which also did not contribute to the filming process.
  • During a break in filming, a goat left the set and ate the director's copy of the script.
  • The pink sea slug is an 8-ton machine worth $65,000.
  • Hundreds of animals were trained in California for filming, but their arrival in the UK was prohibited due to the country's specific national legislation. New animals had to be trained on location, and it cost a pretty penny.
  • During filming in warm weather, the actors and technical crew greatly suffered from bites of blood-sucking insects. Often, the bite wounds began to fester. Anthony Newley and William Dix fell ill with the flu.
  • The film used over 1,200 animals, including dogs, pigs, birds, and even giraffes. One of the giraffes died on set.
  • The cost of keeping the animals averaged $750 per week.
  • Set decorator Stuart A. Reiss later recalled that the sets in California had to be arranged on a slope so that animal waste could be washed away with a hose if necessary. In addition, workers with long brushes were constantly on duty on the sets for the same purpose. All the decorations, including even the walls, had to be created in duplicate, because any element could be damaged by a large animal at any moment. The smell on the sets was unbearable—from animal excrement and detergent. Birds were usually tied by the foot to perches, but some of them occasionally broke free and invariably became entangled in the net stretched above.
  • The film was part of 20th Century Fox's ambitious plans to replicate the success of the musical *The Sound of Music* (Robert Wise, 1965) with films like *Star!* (Robert Wise, 1968), *Doctor Dolittle*, and *Hello, Dolly!* (Gene Kelly, 1969). All the films were released with a large-scale promotional campaign and yet proved surprisingly unprofitable. The studio lost a tremendous amount of money. Several of its high-ranking employees lost their jobs, and 20th Century Fox found itself in such a financial hole that it released only one film throughout the entire year of 1970.
  • Producers felt Rex Harrison was too old at 58 to play Dr. Dolittle, but hoped his name alone would help the film repeat the success of the dramatic musical "My Fair Lady" (George Cukor, 1964).
  • The script required a squirrel to sit next to the parrot for a few seconds while Dolittle sang it a few lines. They initially tried tying its paws to a perch, but that didn't work. One of the producers eventually found a veterinarian who gave the animal a sedative before the evening shoot. The squirrel was given gin, drop by drop, from a refilled fountain pen until it became "limp." As Rex Harrison later recounted: "...the squirrel managed to sit still for a few seconds, nodding and swaying, .. and then simply passed out."
  • Along with Joshua Logan's *Camelot*, which was released a couple of months earlier, the film *Doctor Dolittle* is accused of "killing" the genre of musicals for family viewing.
  • Work on the film took 4 years.

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