Pierrot le Fou

You've met the tame Godard, the love Godard, the think Godard, ...now meet the wild Godard!
Pierrot le fou (1965)
1:50 (110 min)
7.4/10
51 468
—
no scores
7.3/10
968
7.4/10
40000
Rate the movie:
Release date
Budget
$300 000
Revenue
$94 870
Director
Scenario
Lionel White
Author
Composer
Photo Antoine Duhamel
Antoine Duhamel
Actors
Photo Jean-Paul Belmondo
Jean-Paul Belmondo
Ferdinand Griffon, 'Pierrot'
Photo Anna Karina
Anna Karina
Marianne Renoir
Photo Graziella Galvani
Graziella Galvani
Maria, Ferdinand's Wife
Aicha Abadir
Aicha Abadir (uncredited)
Photo Henri Attal
Henri Attal
The First Pumpman (uncredited)
Photo Pascal Aubier
Pascal Aubier
The Second Brother (uncredited)
Photo Maurice Auzel
Maurice Auzel
The Third Pumpman (uncredited)
Photo Raymond Devos
Raymond Devos
The Man from the Port (uncredited)
All actors and roles (10)

Short description

Pierrot le Fou follows Ferdinand Griffon, a Parisian man who feels trapped in his marriage and his comfortable but empty life. At a social gathering, he runs into Marianne, a former girlfriend who has been working as the babysitter for his children. He leaves his wife and family behind and takes off with her toward the south of France. Marianne is tangled up with criminals, though, and the pair find themselves pursued by gangsters and the authorities as they travel. They hide out together, but money runs short and their relationship becomes strained, and the escape turns increasingly dangerous.

Jean-Luc Godard directed and co-wrote the screenplay with Rémo Forlani. The film is the ninth of the twenty-three features he directed, following The Married Woman and preceding Alphaville. Jean-Paul Belmondo plays Ferdinand, nicknamed Pierrot, and Anna Karina plays Marianne; Graziella Galvani appears as Ferdinand's wife. It was produced by Georges de Beauregard and Dino De Laurentiis, and made in France and Italy.

Released in November 1965 and running 110 minutes, the film is a crime drama with romantic elements. It holds a 7.4 out of 10 on IMDb from around 40,000 votes and a 7.3 out of 10 on TMDB from roughly 968 votes. A critics' rating of 8.4 out of 10 from 51 reviews places it somewhat above those audience scores.

What's left behind the scenes

  • Godard parried accusations of excessive violence and corpses with the now-famous phrase: "It's not blood, it's just red." Color symbolism plays a defining role in the artistic structure of the film.
  • The film's title was intended to evoke associations in French audiences with the famous robber of the 1940s – Pierre Lutrel, also known as "Pierrot the Madman" (French: Pierrot le Fou), a highly romanticized version of whose exploits is presented in Jacques Deray's film "The Gang," based on the novel by Roger Borniche.

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