The Son of Kong

SEE! The cannibals! The earthquake! The sea serpent! The fighting monsters of ages past!
The Son of Kong (1933)
5.5/10
6 889
—
no scores
5.4/10
142
5.6/10
5800
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Production
Release date
Budget
$250 000
Revenue
$616 000
Scenario
Ruth Rose
Author
Composer
Producer
Actors
Photo Robert Armstrong
Robert Armstrong
Carl Denham
Photo Helen Mack
Helen Mack
Hilda Peterson
Photo Frank Reicher
Frank Reicher
Captain Englehorn
Photo John Marston
John Marston
Captain Nils Helstrom
Photo Victor Wong
Victor Wong
Charlie the Cook
Photo Ed Brady
Ed Brady
Bo'sun Red
Photo Steve Clemente
Steve Clemente
Native Witch King (uncredited)
Photo Noble Johnson
Noble Johnson
Native Chief (uncredited)
All actors and roles (10)

Short description

The Son of Kong picks up shortly after the events of King Kong, with filmmaker Carl Denham facing lawsuits over the destruction caused in New York and hiding aboard Captain Englehorn's ship to avoid his creditors. Leaving the city behind, the two men drift into modest cargo work before a chance encounter with a shifty former skipper, Nils Helstrom, sends them back toward Skull Island in search of treasure. What they find there is not the beast Denham once brought home, but a smaller gorilla that befriends them. A young woman, Hilda Peterson, joins the voyage.

Ernest B. Schoedsack directed, following The Most Dangerous Game and King Kong in quick succession; Ruth Rose wrote the screenplay and Merian C. Cooper produced for RKO Radio Pictures. Robert Armstrong returns as Denham, with Helen Mack, Frank Reicher, John Marston, Victor Wong and Ed Brady among a credited cast of 33. The film runs 70 minutes.

Reaching theatres in December 1933, less than a year after King Kong, it drew a comparatively muted response. On TMDB it holds a 5.4 rating from 142 votes, well below the standing of the film it follows.

What's left behind the scenes

  • At the time of the film's release, no albino gorillas were known to exist; the first documented albino gorilla was Copito de Nieve, captured in Equatorial Guinea in 1966.
  • Actor Robert Armstrong preferred the second film, explaining that the sequel further developed the character of his hero, Carl Denham.
  • Screenwriter Ruth Rose deliberately did not attempt to write a serious screenplay that would likely not surpass the first film. She stated: “If you can’t make it bigger, make it funnier.”
  • Originally, the script included scenes showing the panicked flight of dinosaurs during a massive earthquake that destroys Skull Island at the end of the film.

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