The Mist

Belief divides them, mystery surrounds them, but fear changes everything.
The Mist (2007)
Timing: 2:6 (126 min)

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7/10
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7.1/10
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Release date
Country
Budget
$18 000 000
Revenue
$57 293 715
Website
Director
Scenario
Producer
Frank Darabont, Liz Glotzer, Bob Weinstein, Harvey Weinstein, Denise M. Huth, Randi Richmond, Anna Garduno, Richard Saperstein
Operator
Rohn Schmidt
Composer
Artist
Gregory Melton
Audition
Deborah Aquila, Jennifer L. Smith, Tricia Wood
Editing
Hunter M. Via
All team (68)

Short description

After a violent storm, a dense cloud of mist envelops a small Maine town, trapping artist David Drayton and his five-year-old son in a local grocery store with other people. They soon discover that the mist conceals deadly horrors that threaten their lives, and worse, their sanity.

What's left behind the scenes

  • Although the monsters were described in only a few lines in the novel, it was important for Darabont to create monsters with unforgettable designs. Greg Nicotero thoroughly studied the history of the genre to avoid repetitions and similarities. Once the designers finished their work, the creature creators showed the puppets to the actors, demonstrating their "facial expressions"—the movement of eyes and mouths. This later helped the actors perceive the monsters as more lifelike and, from an acting perspective, authentic.
  • Frank Darabont wanted Stephen King to make a cameo appearance in the film, intending for him to play the role of the biker. However, the King of Horror declined the offer, and the role was ultimately played by Brian Libby.
  • Frank Darabont originally wanted to make the film in black and white. The second disc of the American two-disc special edition contains the director's cut of the film in black and white.
  • The film is based on Stephen King's novella "The Mist" (1980).
  • At the beginning of the film, a poster for "The Thing" can be seen near Thomas Jane's character, and the character himself is shown drawing a poster—an illustration for Stephen King's famous "The Dark Tower" series. Specifically, the Gunslinger and the Rose can be seen. This is a reference to Drew Struzen, the artist who created many posters and billboards for all of Darabont's films, as well as the aforementioned poster for "The Thing".
  • The film's ending, which provoked a mixed reaction from viewers, is actually based on Stephen King's original novella: it contains a moment where David Drayton suggests such a development of events. Frank Darabont decided that the novella’s ambiguous ending was unsuitable for the film and expanded the story to a tragic climax. After watching the film, Stephen King was satisfied and confirmed that it was precisely the ending implied in the novella.
  • William Sadler voiced David Drayton in the audiobook version of the novel.
  • Although the monsters were described in just a few lines in the novel, it was important to Darabont to create monsters with a memorable design. Greg Nicotero carefully studied the history of the genre to avoid repetition and similarity. After the designers finished their work, the creators of the monsters showed the puppets to the actors with their "mimicry"—the movement of their eyes and mouths. This later helped the actors perceive the monsters more vividly and, from an acting perspective, believably.
  • The film's finale, which drew a mixed reaction from viewers, is essentially based on Stephen King's original novella: there is a moment where David Drayton suggests such a possible turn of events. Frank Darabont decided that the novella's ambiguous ending was not suitable for a film and wrote the story through to a tragic climax. After watching the film, Stephen King was satisfied and confirmed that this was exactly the ending implied in the novella.
  • In the novel, the married protagonist, David Drayton, has a sexual affair with a married woman named Amanda Dumfries. Darabont did not want their affair to be depicted on screen. The film's characters, played by Thomas Jane and Laurie Holden, have a much stronger, emotional connection. Jane says of the characters, "We kind of create a new family—Amanda becomes my wife and Billy's mother. This nightmare that we’re trying to get out of together bonds us."
  • Mrs. Carmody’s line, “My life for you,” is a reference to several Stephen King books featuring the embodiment of cosmic evil named Randall Flagg. This phrase is spoken by different characters when pledging allegiance to Flagg in the books "The Stand" and "The Eyes of the Dragon", as well as in novels from "The Dark Tower" cycle.
  • The film is set in Maine, as is the majority of Stephen King's works. However, all location footage was filmed not in Maine, but in Minden, Louisiana. To Frank Darabont's great delight, when Stephen King watched the film, he did not notice that it wasn't filmed in Maine.
  • During the first fight with the monsters in the store, Joe Eagleton knocks over a rotating open-work bookshelf. All the books on the shelf are editions of Stephen King's works (including the novel 'Cell' and others).
  • Frank Darabont had wanted to adapt King's novella "The Mist" since 1980, when he first read it in the collection "Skeleton Crew." He wanted this film to be his directorial debut, but he ended up filming "The Shawshank Redemption," based on another of King's stories.
  • Frank Darabont decided he wanted to minimize the use of musical and sound effects to convey a 'much more oppressive ending' to the film than the original end of the novel. The director explained that, in his view, 'silence can be scarier than a strange noise; a whisper is scarier than a bang, and we wanted to bring that ratio into harmony. We kept the sounds to a minimum so that the film would feel almost like a documentary to the audience.' For the film's ending, Darabont used the composition 'The Host of Seraphim' by Dead Can Dance—music based on stylized Gregorian chant. As a fan of the band, Darabont stated that this composition would serve as a kind of 'requiem for the entire human race.'
  • In the novel, the married protagonist, David Drayton, has an affair with a married woman named Amanda Dumfries. Darabont did not want their sexual relationship to be depicted on screen. The characters in the film, played by actors Thomas Jane and Laurie Holden, share a much stronger emotional bond. Jane describes the characters: "We are essentially creating a new family—Amanda becomes my wife and Billy's mother. This nightmare we are trying to escape together bonds us."
  • Frank Darabont decided he wanted to minimize the use of music and sound effects to convey a far more "oppressive ending" to the film than the original ending of the novel. The director explained this by saying that, in his view, "silence can be more frightening than strange noise; a whisper is scarier than a bang, and we wanted to bring this ratio into harmony. We minimized the sounds so that, in the perception of viewers, the film would appear almost documentary-like." For the film's ending, Darabont used the composition "The Host of Seraphim" performed by Dead Can Dance—music based on stylized Gregorian chant. As a fan of the band, Darabont stated that this composition would be a kind of "requiem for all mankind."
  • At the beginning of the film, a poster for "The Thing" can be seen with Thomas Jane's character, and he himself draws a poster – an illustration for Stephen King's famous "The Dark Tower" cycle. In particular, Roland and Eddie can be seen there. This is a reference to Drew Struzan, the artist who drew many posters and artwork for all of Darabont’s films, as well as the poster for "The Thing".
  • Initially, Frank Darabont decided not to film an episode from the original novella in which David Drayton and those traveling with him in the car see a gigantic six-legged monster pass overhead, fearing that the scene could not be made convincing; this episode was not in the original script. However, during filming, several special effects artists from "Café Effects" studio persuaded the director to still include this episode in the film, managing to convince him that they could handle this difficult task.
  • William Sadler provided the voice for David Drayton in the audio version of the novel.
  • There is a geographical error in the film. The fire truck passing by the supermarket is labeled "Caddo Parish." However, Caddo Parish is not located in Maine (where the film takes place), but in Shreveport, Louisiana (where the filming took place).
  • Initially, Frank Darabont wanted to make the film in black and white. The second disc of the American two-disc gift edition contains a black-and-white director's cut of the film.
  • Although the film is implied to take place in the state of Maine, the overturned patrol car that David drives past on the highway is painted yellow and white, the colors of the Illinois State Police. Police cars in Maine use blue coloring.
  • The pharmacy next to the supermarket is called “King’s Pharmacy” – a reference to the author of the original novella, Stephen King. King himself once played the role of pharmacist Dr. Bangor in the film adaptation of his novel "The Thinner".
  • Frank Darabont's original script included an introductory episode showing a military scientist, mentioned by Corporal Jessup, accidentally opening a portal to another dimension, allowing the mist and monsters to enter our world. During lunch one day, actor Andre Brouwer asked the director if this episode was really necessary. Frank Darabont seriously considered this and, a week later, decided to remove the episode, leaving the nature of the mist and monsters less clear.
  • Frank Darabont wanted Stephen King to play a cameo role in the film – a biker was envisioned for him. However, the King of Horror declined the offer, and Brian Libby ultimately played the part.
  • Mrs. Carmody's line, "My life for yours," is a reference to several of Stephen King's books featuring an embodiment of universal evil named Randall Flagg. This phrase is spoken by various characters pledging their loyalty to Flagg in the books "The Stand" and "Eyes of the Dragon," as well as in the novels of "The Dark Tower" series.
  • Frank Darabont's original script included an introductory episode showing how a military scientist mentioned by Private Jessup accidentally opens a portal to another dimension, allowing the mist and monsters to enter our world. During lunch one day, actor Andre Braugher asked the director if this episode was truly necessary. Frank Darabont thought seriously about it and decided a week later to remove the scene, leaving the nature of the mist and the monsters more ambiguous.
  • The film, like much of Stephen King's work, takes place in the state of Maine. However, all the outdoor scenes were not shot in Maine, but in Minden, Louisiana. To Frank Darabont's great delight, when Stephen King watched the film, he did not notice that it was not filmed in Maine.
  • The pharmacy next to the supermarket is called "King's Pharmacy," which is a reference to the author of the original novella, Stephen King. King himself once played the role of the pharmacist Dr. Bangor in the adaptation of his novel "Lean."
  • Frank Darabont wanted to adapt King’s novella “The Mist” since 1980, when he first read it as part of the collection “Night Shift”. He wanted this film to be his directorial debut, but he had to start filming "The Shawshank Redemption" based on another of King’s novellas.
  • William Sadler, Jeffrey DeMunn, and Brian Libby appeared in all three films directed by Frank Darabont based on the works of Stephen King ("The Shawshank Redemption", "The Green Mile", "The Mist").
  • During the first encounter with the monsters in the store, Joe Eagleton knocks over a rotating ornate bookshelf filled with books. All the books on it are editions of Stephen King's works (the novel 'Cell' and others).
  • Initially, Frank Darabont decided not to adapt a scene from the original novella in which David Drayton and his fellow passengers see a giant six-legged monster pass over them, fearing that the scene could not be made convincing; this episode was not in the original script. However, during filming, several special effects artists from Cafe Effects persuaded the director to include the scene after convincing him that they could handle the difficult task.
  • William Sadler, Jeffrey DeMann, and Brian Libby appeared in all three of Frank Darabont's films based on the works of Stephen King ("The Shawshank Redemption", "The Green Mile", and "The Mist").

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