Dead Man's Letters

Remember your humanity and forget the rest.
Письма мертвого человека (1986)
Timing: 1:23 (83 min)
7.8/10
33 996

no scores
7/10
134
7.5/10
4500
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Release date
Country
Budget
$0
Revenue
$0
Website
Actors
Rolan Bykov, Vatslav Dvorzhetsky, Vera Mayorova, Iosif Ryklin, Evgeniy Platokhin, Svetlana Smirnova, Vyacheslav Vasilyev
All actors and roles (7)
Scenario
Konstantin Lopushansky, Vyacheslav Rybakov
Producer
Yuri Golynchik, Raisa Proskuryakova
Operator
Nikolai Pokoptsev
Composer
Artist
Viktor Ivanov, Yelena Amshinskaya
Audition
Editing
T. Poulinoi
All team (20)

Short description

In a desolate world following the nuclear apocalypse, a scholar helps a small group of adults and children survive in the basement of a former museum of history. In his mind, he writes letters to his only son that will never be read and tries to find shreds of hope in his new reality.

What's left behind the scenes

  • The film was released less than six months after the Chernobyl disaster, and for its time, it was very sharp and shocking: people could imagine the events of the film happening in their own lives, as the Cold War was still ongoing.
  • The film's theme reflects the popular theory of nuclear winter during the Cold War.
  • The script was originally longer, with more scenes and characters, but the debut director discarded a great deal during filming and became confused by the material toward the end (at least two 90-minute episodes had been shot); therefore, the final edit of the film was completed by Semyon Aranovich and Aleksei German.
  • Zinovy Gerdt voiced the role of Bykov, which caused extreme dissatisfaction from the latter. Bykov even intended to sue the film crew, but then changed his mind, achieving that the role was ultimately re-voiced by him.
  • Many film scholars believe that the main character is based on Academician Andrei Sakharov: Larsen possesses the same humanistic position and willpower, and is also a Nobel laureate.
  • The original script was longer, with more scenes and characters, but the debuting director discarded much of it during filming and became confused with the material (at least two 90-minute episodes were shot). Therefore, the final editing of the film was done by Semyon Aranovich and Alexei German.

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