The Valet

La Doublure (2006)
1:25 (85 min)
7/10
47 483
—
no scores
6/10
565
6.6/10
11000
Rate the movie:
Production
Release date
Budget
$25 320 000
Revenue
$29 414 353
Director
Scenario
Producer
Photo Patrice Ledoux
Patrice Ledoux
Actors
Photo Gad Elmaleh
Gad Elmaleh
François Pignon
Photo Alice Taglioni
Alice Taglioni
Éléna Simonsen
Photo Daniel Auteuil
Daniel Auteuil
Pierre Levasseur
Photo Kristin Scott Thomas
Kristin Scott Thomas
Christine Levasseur
Photo Richard Berry
Richard Berry
Maître Foix
Photo Dany Boon
Dany Boon
Richard
Photo Michel Jonasz
Michel Jonasz
André Pignon
All actors and roles (10)

Short description

Pierre Levasseur is a wealthy businessman whose marriage depends on keeping his wife's share of his company out of play, so when a paparazzo photographs him with his mistress, the top model Éléna Simonsen, he needs a story fast. He picks a stranger who happens to appear in the same shot, François Pignon, a modest parking valet, and tells his wife that Éléna is seeing Pignon rather than him. To make the claim hold up, Éléna moves into Pignon's small flat, while Pignon tries to explain the arrangement to Émilie, the woman he hopes to marry.

Francis Veber directed and co-wrote the film with Declan May, and it was released in 2006, arriving between Ruby & Quentin and A Pain in the Ass in a run of nine features he directed. Gad Elmaleh plays Pignon, with Alice Taglioni as Éléna, Daniel Auteuil as Levasseur, Kristin Scott Thomas as his wife Christine, Richard Berry as the lawyer Foix and Virginie Ledoyen as Émilie.

The production cost about 25 million dollars and took roughly 29 million dollars worldwide, a modest return for its budget. On IMDb the film holds 6.6 out of 10 from around 11,000 votes, and on TMDB 6 out of 10 from 562 votes; a critics' rating of 6.6 out of 10 across 81 reviews sits level with the IMDb figure and slightly above the TMDB one.

What's left behind the scenes

  • Towards the end of the film, François Pinion's father (played by Gad Elmaleh) tells him that he has received an invitation to lunch, where he will be talking about his corkscrew collection. This is a reference to Francis Weber's film “The Dinner Game” (1998), where the main character is also named François Pinion, and where he talks about his matchstick models.

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