That Old Feeling

It was the perfect wedding except for two things... the bride's parents.
That Old Feeling (1997)
6.4/10
6 264
—
no scores
6.2/10
69
6.1/10
4200
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Release date
Revenue
$16 574 176
Director
Scenario
Composer
Patrick Williams
Producer
Actors

Short description

Lilly Leonard, a movie star, and Dan De Mora, a columnist, divorced years ago and have barely spoken since. When their daughter Molly decides to marry Keith, a young man with political ambitions, the estranged parents come together for the wedding reception. Old resentments surface, then give way to a renewed attraction, and the two slip away together. Their disappearance embarrasses Keith, who fears a scandal, while Lilly's ever-present photographer pursues the couple and Molly is left to sort out her own feelings about the man she has just married.

Bette Midler and Dennis Farina play the former spouses, with Paula Marshall as Molly, Gail O'Grady as Dan's current wife Rowena, David Rasche as Alan and Danny Nucci as the photographer Joey. The film was directed by Carl Reiner, the tenth feature in the filmography that began with Oh, God! in 1977 and includes The Jerk, Dead Men Don't Wear Plaid and All of Me. Leslie Dixon wrote the screenplay and produced with Bonnie Bruckheimer; Universal Pictures released the film on April 4, 1997, and it runs 105 minutes.

On TMDB the film holds a rating of 6.2 out of 10 from 69 votes, while a critics' rating stands at 5.2 out of 10 from 14 reviews, a gap that suggests audiences responded more warmly to the comedy than reviewers did.

What's left behind the scenes

  • Immediately after the death of Princess Diana in 1997, the film was withdrawn from release in the United Kingdom because Danny Nucci played an intrusive paparazzo in it.
  • Touchstone Pictures hoped that Leslie Dixon would write a screenplay for a sequel to Arthur Hiller’s 1987 comedy “Outrageous Fortune,” but it soon became clear that the feud between Bette Midler and Shelley Long, which manifested during the making of “Outrageous Fortune,” would make approving a script that satisfied both of them a torment. To avoid this, Dixon didn’t think about the sequel at all and wrote a screenplay tailored for Midler.

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