Mary Poppins Returns

Magic always returns.
Mary Poppins Returns (2018)
6.6/10
155 575
—
no scores
6.5/10
3553
6.6/10
101000
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Release date
Budget
$130 000 000
Revenue
$349 537 494
Director
Scenario
Composer
Producer
Actors
Photo Emily Blunt
Emily Blunt
Mary Poppins
Photo Ben Whishaw
Ben Whishaw
Michael Banks
Photo Emily Mortimer
Emily Mortimer
Jane Banks
Photo Nathanael Saleh
Nathanael Saleh
John
Photo Joel Dawson
Joel Dawson
Georgie
All actors and roles (10)

Short description

Set in London during the 1930s, the film follows the now-grown Banks siblings. Michael works at the same bank where his father was once employed, and lives in the family home on Cherry Tree Lane with his three children, Annabel, Georgie and John, and the housekeeper Ellen. Jane, for her part, is involved in social causes. After the household suffers a personal loss, the mysterious nanny Mary Poppins reappears in their lives, joined by Jack, an optimistic lamplighter, and other unusual acquaintances. Through magical excursions, she sets out to restore a sense of wonder to the family.

Emily Blunt plays Mary Poppins and Lin-Manuel Miranda appears as Jack, with Ben Whishaw and Emily Mortimer as the adult Michael and Jane. Rob Marshall directed the film, the seventh of the eight features he has made to date, and wrote it with screenwriter David Magee from a story by Marshall, John DeLuca and Marc Platt, all three of whom produced. It is a Disney production with a substantial budget.

The film was released in December 2018 and drew audiences worldwide, earning roughly two and a half times its reported cost. On IMDb it holds a rating of 6.6/10 from about 101,000 votes, and on TMDB a rating of 6.5/10 from some 3,500 votes, while a critics' rating of 7.3/10 from 377 reviews places professional response somewhat higher than the general audience scores.

What's left behind the scenes

  • When the screenplay for the very first "Mary Poppins" film (Robert Stevenson, 1964) was being written, Walt Disney personally offered the lead role to actress Julie Andrews. She replied that she was pregnant and would not be able to participate in filming. Disney (1901-1966) so wanted Andrews to play Mary Poppins that he postponed the start of filming until the actress was able to return to the set. A similar story happened with this film. When the project was announced, filming had to be postponed due to Emily Blunt's pregnancy, who had been approved for the lead role.
  • Over 70 animators worked on the animation scenes for 16 months, some of whom were already retired (some were in their 70s or 80s, and one animator was 90 years old).
  • Dick Van Dyke was offered four versions of the dance scene, varying in difficulty. The actor chose the most challenging version and refused any assistance during filming. He performed it magnificently; it was even said that audiences applauded during preview screenings when they saw the actor dancing so well for his age.
  • The film's screenwriter, producer, and director, Rob Marshall, had always dreamed of using traditional hand-drawn animation in the film – simply because he liked traditional animation and as a tribute to his first film. Disney executives, on the other hand, insisted on computer animation, which infuriated Marshall. He argued extensively with studio management on this topic, but eventually convinced his opponents of the need for traditional hand-drawn animation.
  • The screenwriter and creator of Mary Poppins, Pamela Lyndon Travers, strongly disliked the 1964 musical “Mary Poppins” by Robert Stevenson – particularly the musical numbers and animated sequences. Later in life, she gave her approval for a stage musical (produced by Cameron Mackintosh and the Walt Disney Company, based on the film and her books), but with the condition that no one from the creative team of the 1964 film, and especially not the Sherman Brothers, Richard M. and Robert B., would be involved in the production. Travers passed away in 1996, and the stage production premiered in 2004. Subsequently, the Walt Disney Company negotiated with the owners of Travers’s creative legacy, and these negotiations led to the creation of this film.
  • Mary Poppins' talking parrot was an animatronic puppet controlled by two technicians: one was responsible for the beak's movements, and the other for the eyes and head.
  • It took 7 months to build the shop belonging to Meryl Streep’s character. The shop was the most complex set in the film. Production designer Gordon Sim and his team scoured antique shops and flea markets throughout Britain in search of items to use in the sets. They found 538 items in this way, some were designed and created by the decorators themselves, and others were acquired through various means. Creating the sets for the abandoned park took 26 weeks. A total of 8 sound stages at Shepperton Studios were used.
  • Shortly before filming began, Joel Dawson lost his baby teeth and had to wear fake ones.
  • In the 1964 film "Mary Poppins", actor Dick Van Dyke played the roles of chimney sweep Bert and Mr. Dawes Sr. In "Mary Poppins Returns", he plays Mr. Dawes Jr.
  • Filming the “Trip a Little Light Fantastic” sequence and the corresponding dance took 2 weeks, sometimes with up to 50 dancers in the frame. The street scenes for the eight-minute clip were filmed in London. The sound stage had 5 levels, including a fountain, a bridge, a greenhouse, and 25 lamps (gas and electric). The scene was filmed with five cameras, including a fixed camera, two cameras on cranes, an aerial camera, and a camera on rails. 28 rotating street lamps and 18 ladders were created. 100 bicycles were also purchased and aged.
  • For filming the bathtub scene, a hole was made in the floor beneath the tub, leading to the basement.
  • The plot is based on the works of Pamela Lyndon Travers (1899-1996).

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