M*A*S*H

M*A*S*H gives a D*A*M*N.
M*A*S*H (1970)
1:56 (116 min)
7.3/10
90 343
—
no scores
6.9/10
1216
7.3/10
82000
Rate the movie:
Release date
Budget
$3 500 000
Revenue
$81 600 000
Director
Scenario
Richard Hooker
Author
Composer
Photo Johnny Mandel
Johnny Mandel
Producer
Ingo Preminger
Actors
Photo Donald Sutherland
Donald Sutherland
Hawkeye Pierce
Photo Elliott Gould
Elliott Gould
Trapper John McIntyre
Photo Tom Skerritt
Tom Skerritt
Duke Forrest
Photo Sally Kellerman
Sally Kellerman
Maj. Margaret 'Hot Lips' O'Houlihan
Photo Robert Duvall
Robert Duvall
Maj. Frank Burns
Photo Roger Bowen
Roger Bowen
Lt. Col. Henry Blake
Photo René Auberjonois
René Auberjonois
Father John Mulcahy
Photo David Arkin
David Arkin
St. Major Wade Vollmer
All actors and roles (10)

Short description

Set during the Korean War, this story follows American surgeons stationed at a mobile army surgical hospital. While the medical staff is highly skilled and committed to their work, they use absurdist humor, irony, and disruptive pranks to cope with the surrounding violence and tragedy. This erratic behavior often puts them at odds with the military bureaucracy and their superiors.

Directed by Robert Altman, this was the second of 21 films he directed, following Countdown and preceding McCabe & Mrs. Miller. Based on a novel by Richard Hooker, the film featured a screenplay by Ring Lardner, Jr. The cast includes Donald Sutherland, Elliott Gould, Tom Skerritt, Sally Kellerman, Robert Duvall, and Roger Bowen.

The production had a budget of 4 million USD and earned 82 million USD worldwide. It is generally well-regarded by viewers, holding a 7.4 rating on IMDb from 75,867 votes and a 6.9 rating on TMDB from 1,196 votes. Film critics gave the movie a higher score of 8.3 based on 58 reviews.

What's left behind the scenes

  • When studio executives first saw the footage, they told director Robert Altman that his soldiers looked too dirty compared to the soldiers in, for example, war dramas like "Tora! Tora! Tora!" (1970) by Richard Fleischer (1916-2006), Kinji Fukasaku (1930-2003) and Toshio Masuda, and "Patton" (1970) by Franklin J. Schaffner (1920-1989). Altman himself fought on the front lines of World War II. He replied to the executives that it was war, and soldiers in war didn't actually look pristine. The next day, the studio instructed the producers of those two films to make their soldiers look a little dirtier.
  • According to Robert Altman, Elliott Gould and Donald Sutherland jointly complained to studio executives that Altman was devoting too much time and attention to filming minor characters. The actors demanded that the director be replaced, but their request was denied. After the film was released and received critical and audience acclaim, Gould alone admitted this to the director. As a result, he continued to work with Altman, while Sutherland never appeared in another Altman film.
  • At the request of 20th Century Fox, a message was added to the opening credits stating that the film takes place in Korea. The Korean War is also mentioned in announcements from loudspeakers and on the radio. And in one scene, it is explicitly stated that the film takes place in 1951—to prevent viewers from assuming that everything is happening during the Vietnam War, which was ongoing when the film was being shot and released.
  • Tom Skerritt later recalled that 80% of the lines and dialogue in the film were improvised, as Robert Altman cast people in some roles who had never worked in film or television before.
  • The first attempt to film Sally Kellerman (1937-2022) in the shower was unsuccessful because she knew what to expect and lay down on the floor, out of camera view, before the tent flap was raised. To distract the actress, director Robert Altman (1925-2006) and actor Gary Burghoff instructed the camera to be turned on and filming to begin, then both went into the shower tent and simultaneously lowered their pants. At that moment, the tent flap was raised, and Kellerman stood there frozen, with wide-eyed surprise – because Burghoff, beside the camera and off-screen, was standing before her in all his glory.
  • One of the innovations devised by Robert Altman was the layering of different dialogues: in some scenes, up to four conversations were heard simultaneously. At the time, this was considered unconventional and even revolutionary, but Altman proved to be right, and the audience agreed with the idea he was trying to convey—that war is "a mess where nothing is ever clear." This technique was subsequently used in some other films as well.

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