Kaya Jabar

Kaya Jabar - Pre-Visualization Supervisor known for her work in such projects: «Barbie» (2023), «Doctor Strange in the Multiverse of Madness» (2022), «Deadpool 3» (2024), «Damsel» (2024), «Avengers 5» (2026),

Kaya Jabar is a visualisation supervisor at Framestore in London. She began her professional journey in the creative industries as a graphic designer before transitioning into animation work at Guerilla Games, where she used her skills in interactive storytelling and cinematics. In 2014, she joined The Third Floor London as a previs artist. She became a principal architect of the company's virtual production and on‑set visualisation services, contributing to an expansive range of high‑profile productions.

While at The Third Floor, Jabar played a significant role on the multi‑Emmy Award‑winning television series Game of Thrones (2011–2019), where she delivered on‑set motion control and simulcam supervision and implementation, as well as virtual camera supervision and pipeline design over three seasons. She expanded her expertise in virtual production, supervising work on Star Wars: The Rise of Skywalker (2019) and Dumbo (2019).

After her tenure at The Third Floor, Jabar joined Framestore's Pre‑Production Services (FPS) team as a pre‑production supervisor.

She has served as Senior Visualisation Supervisor on Deadpool & Wolverine (2024), Pre‑Visualisation Supervisor on Barbie (2023), and Visualisation Supervisor on Doctor Strange in the Multiverse of Madness (2022). Additionally, she has contributed as Lead Visualisation Artist on The King's Man (2021), Virtual Production Supervisor on films such as Venom: Let There Be Carnage (2021) and Jingle Jangle: A Christmas Journey (2020), and held various previs and virtual production roles on projects including Solo: A Star Wars Story (2018), Justice League (2017) and Beauty and the Beast (2017).

The most significant works of Kaya Jabar

Full filmography Kaya Jabar