Psycho III

Norman Bates is back to normal. But mother's off her rocker again.
Psycho III (1986)
5.5/10
21 245
—
no scores
5.7/10
448
5.5/10
18000
Rate the movie:
Production
Release date
Budget
$8 400 000
Revenue
$14 481 606
Director
Scenario
Charles Edward Pogue
Composer
Producer
Actors
Photo Anthony Perkins
Anthony Perkins
Norman Bates
Photo Diana Scarwid
Diana Scarwid
Maureen Coyle
Photo Jeff Fahey
Jeff Fahey
Duane Duke
Photo Roberta Maxwell
Roberta Maxwell
Tracy Venable
Photo Hugh Gillin
Hugh Gillin
Sheriff John Hunt
Photo Robert Alan Browne
Robert Alan Browne
Ralph Statler
Photo Gary Bayer
Gary Bayer
Father Brian
All actors and roles (10)

Short description

Psycho III continues the story of Norman Bates, who has returned to running the family motel after years in psychiatric care. His fragile stability is tested when Maureen Coyle, a young woman who has left her convent after losing her faith, checks in and reminds him of an earlier guest. Her resemblance to a woman from Norman's past unsettles him, while her growing attachment to him conflicts with the hold his mother still has on his mind. A reporter pursuing Norman's story and a killing nearby bring further pressure, and the buried compulsions he has tried to control resurface.

The film was directed by Anthony Perkins, who also produced and starred as Norman Bates in the first two films of the series. Charles Edward Pogue wrote the screenplay and Hilton A. Green produced. Diana Scarwid plays Maureen, with Jeff Fahey as Duane Duke, Roberta Maxwell as Tracy Venable, Hugh Gillin as Sheriff John Hunt and Lee Garlington as Myrna. Perkins had previously directed a 1973 drama before returning to the director's chair for this third instalment.

Made by Universal Pictures for a budget of 8 million dollars, the film took about 14 million dollars worldwide, a modest return. On IMDb it holds 5.5 out of 10 from 18,000 votes, while on TMDB it has 5.7 out of 10 from 448 votes. A critics' rating of 5.7 out of 10 from 35 reviews places it close to the audience scores.

What's left behind the scenes

  • Anthony Perkins, who directed the film himself, wanted Jeff Fahey to be completely nude in the love scene. But since the actor was very embarrassed by his nudity, he was allowed to cover himself with two lamps.
  • At the insistence of studio executives, Perkins had to reshoot the ending.
  • This film marked Anthony Perkins’ directorial debut, and he intended to shoot it in black and white. However, the “Universal” studio opposed this.

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