Bridge of Spies

In the shadow of war, one man showed the world what we stood for.
Bridge of Spies (2015)
Timing: 2:21 (141 min)

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Release date
Genre
Budget
$40 000 000
Revenue
$165 478 348
Website
Director
Scenario
Producer
Operator
Composer
Artist
Adam Stockhausen, Nafisah Mohamed, Walter Goh
Audition
Ellen Lewis, Lucky Englander, Fritz Fleischhacker
Editing

Short description

During the Cold War, the Soviet Union captures U.S. pilot Francis Gary Powers after shooting down his U-2 spy plane. Sentenced to 10 years in prison, Powers' only hope is New York lawyer James Donovan, recruited by a CIA operative to negotiate his release. Donovan boards a plane to Berlin, hoping to win the young man's freedom through a prisoner exchange. If all goes well, the Russians would get Rudolf Abel, the convicted spy who Donovan defended in court.

What's left behind the scenes

  • Donovan calls his wife from a phone booth in West Berlin. He drops a few coins into the coin slot, and a connection is immediately established. Both of these things were practically impossible in the 1960s. Establishing a connection took several hours, and the cost of a call from the US to Europe was $10 for 3 minutes. Calls from Europe to the US were, apparently, even more expensive.
  • One episode depicts the construction of the famous wall in East Berlin. The plot suggests it is wintertime. In reality, the wall was erected almost overnight in August 1961.
  • The film shows that Soviet spy Rudolf Abel receives encrypted messages from his KGB handlers hidden inside dime coins. The FBI first took notice of Abel in 1953 when a Soviet agent accidentally paid for a newspaper with such a coin. The newsboy found the coin suspiciously light; he dropped it on the pavement, and it split in two, revealing a piece of microfilm. FBI cryptographers struggled unsuccessfully with the code until 1957, when Reino Häyhänen defected from the USSR to the West with the decryption key. He was the one who exposed Abel to the Americans. The episode with the hollow coin is also featured in the film 'I Was a Communist for the FBI' (1959), starring James Stewart.
  • According to Tom Hanks' statement at a press conference, Donovan's speech during the Supreme Court hearing in the film mirrored exactly the words actually spoken in defense of Abel in the Supreme Court many years ago.
  • Filming of “Bridge of Spies” began in September 2014 and lasted 12 weeks. Filming took place in New York, as well as in Germany and Poland, in the very places where the events on which the film is based occurred. The exchange of Powers for Abel was filmed in Berlin, where it actually happened many years ago. Berlin in 1961 was filmed in Wrocław, Poland. This city resembles Berlin in the mid-20th century more than Berlin itself.
  • In one episode of the film, a television is switched off, and the picture on the screen disappears instantly. In reality, when televisions of that era were switched off, the picture would shrink into a white dot that remained on the screen for several minutes.
  • Donovan was offered a drink in East Germany and given a bottle with an aluminum screw-cap. In 1960, such bottles were sealed with corks.
  • Mrs. Donovan knew where her husband worked even before she heard it on television after his return.
  • Steven Spielberg decided to cast Mark Rylance after seeing his performance in 'Twelfth Night,' for which the actor received his third Tony Award (presented annually for achievements in American theater).
  • To the right of the Brooklyn Bridge in one of the opening shots of the film, which takes place in 1957, the building at 60 Wall Street, built in 1989, is clearly visible.
  • Initially, photographers outside the courthouse were told to put used flashbulbs in their pockets. One of the background actors happened to be a member of the New York Press Photographers Association. He informed the producer and assistant director Adam Somner that photographers in those years simply threw used flashbulbs on the floor. This was then implemented. After several takes, Steven Spielberg ordered the camera angle to be changed to film the floor, which was literally littered with spent flashbulbs.
  • The film depicts Soviet intelligence officer Rudolf Abel receiving cipher messages hidden in ten-cent coins from his KGB handlers. The FBI first took notice of Abel in 1953 when one of the Soviet agents mistakenly paid with such a coin when buying a newspaper. The newspaper carrier found the coin suspiciously light. He dropped it on the asphalt, and the coin broke into two parts, with a microfilm falling out. FBI cryptographers struggled unsuccessfully with the cipher until 1957, when Reino Häyhänen defected from the USSR to the West with the key to the cipher. He also identified Abel to the Americans. The episode with the hollow coin is featured in the film “The FBI Story” (1959) starring James Stewart.
  • The Parisian premiere of the film was scheduled for November 15, 2015, but was canceled in light of a series of terrorist attacks in the French capital that claimed the lives of over 120 people.
  • On the Donovan's dining table is ceramic tableware with a stylized depiction of sunflowers. This tableware only appeared in 1958, a year after the events depicted in the film began. (On the other hand, it is not entirely clear when exactly this dinner takes place within the narrative.)
  • Modern television distribution devices are visible in scenes filmed in Brooklyn.
  • When Donovan is riding the subway, satellite dishes can be seen on the roofs of the houses whizzing by.
  • At the end of the film, the audience learns from the credits that Donovan played a significant role in the negotiations following the Bay of Pigs incident, which occurred shortly after the events depicted in the film. Donovan was approached to negotiate the release of Cubans and Americans taken prisoner during the failed invasion of Cuba in 1961. Over several trips to the island, Donovan gained the trust of the leader of the Cuban Revolution, Fidel Castro. Through his efforts, over 1100 people who participated in the invasion and 8500 political prisoners were eventually released.
  • In the footage preceding the U-2’s takeoff, it can be seen that the auxiliary landing gear strut detaches from its right wing. The U-2 was deliberately made extremely lightweight to increase its range and flight ceiling. Detaching the auxiliary landing gear struts was necessary to reduce the aircraft’s weight. During landing, the pilot landed the aircraft simultaneously on the nose and tail landing gear and balanced with ailerons until complete loss of speed. The aircraft would settle onto the wingtip, the end of which was a small titanium runner – the so-called ‘ski.’
  • A modern vehicle inspection sticker is visible on the windshield of the black car in Brooklyn, behind which Donovan is hiding.
  • As Steven Spielberg stated at a press conference dedicated to the film's release, Gregory Peck expressed a desire to star in the film as early as 1965. Alec Guinness was to play Abel, Peck was to play Donovan, and Stirling Silliphant was chosen as the screenwriter. However, MGM rejected the film idea. It was 1965, and the Cold War was at its height. The world had just recovered from the Bay of Pigs conflict and the Cuban Missile Crisis, and MGM believed it wasn't the time to get involved in politics.
  • At the subway entrance at the beginning of the film, a green sphere is shown. Colored spheres were only introduced in 1982. A green sphere indicated that the station operated 24 hours a day, while a red one indicated that it closed at certain hours. Before 1982, all spheres without exception were white. Hanks and Spielberg made this same mistake in another of their joint projects—the detective tragicomedy 'Catch Me If You Can'.
  • The final scenes of the film, where the exchange of Rudolf Abel for Francis Gary Powers takes place, were filmed on the Glienicke Bridge in Berlin. It was there in 1962 that the exchange of Abel for Powers actually occurred. The exchange of many other Soviet and American intelligence officers during the “Cold War” also took place on this bridge, for which the press dubbed it the “spy bridge.”
  • Initially, photographers near the courtroom were instructed to put their used flashbulbs in their pockets. One of the extras turned out to be a member of the New York Press Photographers Association. He informed the producer and assistant director Adam Somner that photographers at the time simply threw used flashbulbs on the floor. That's what was done. After a few takes, Steven Spielberg ordered the camera angle to be changed and filmed the floor, literally littered with spent flashbulbs.
  • As Steven Spielberg stated at a press conference marking the film's release, Gregory Peck had expressed a desire to appear in the movie as early as 1965. Alec Guinness was to play Abel, Peck was to play Donovan, and Stirling Silliphant was chosen as the screenwriter. However, MGM rejected the idea. It was 1965, and the Cold War was in full swing. The world had just recovered from the Bay of Pigs conflict and the Cuban Missile Crisis, and MGM felt that now was not the time to get involved in politics.
  • During their first conversation, Vogel proposes to Donovan an exchange of Abel for American student Frederic Pryor, who had been detained by East German troops, and hands him a photograph with a clear MI-5 British intelligence stamp on the back. Diplomatic relations between East Germany and Great Britain began only in 1973.
  • In the courtroom scenes, which take place in 1957, US flags are placed near the judge's seat, but this practice was not introduced until 1960. At that time, the United States consisted of only 48 states, but the flags feature 50 stars.
  • By the time East Germany erected the wall, the government and law enforcement’s control over the population was already complete. There was no question of anyone being able to walk along the wall looking for a loophole to the other side.
  • When Donovan arrives in Berlin for the prisoner exchange, it is clearly cold weather. When he returns home and meets his wife on the porch, the trees are full of leaves and it is summer.
  • Steven Spielberg decided to invite Mark Rylance to one of the roles after seeing his performance in *Twelfth Night*, for which the actor received his third Tony Award (presented annually for achievements in American theater).
  • Steven Spielberg’s father, an engineer by profession, spent some time in the Soviet Union during the height of the “Cold War” as part of an exchange program. This happened shortly after the Powers U-2 spy plane was shot down, when relations between the US and the USSR were reduced to mutual suspicion and fear. Spielberg’s father later recalled how Soviet citizens lined up to look at the wreckage of the Powers plane. Upon seeing the American engineers, some of them said, “Look what your country is doing.” This served as a vivid illustration of the feelings that the peoples of the two countries had for each other.
  • Spielberg's father, an engineer by profession, spent some time in the Soviet Union as part of an exchange program during the height of the Cold War. This occurred shortly after the shoot-down of the Powers spy plane, at a time when relations between the US and the USSR were reduced to mutual suspicion and fear. Spielberg's father later recalled how Soviet citizens lined up to see the wreckage of Powers' plane. Upon seeing the American engineers, some of them said, 'Look at what your country does.' This served as a perfect illustration of the feelings the people of the two countries held for one another.
  • The film depicts Francis Gary Powers as an active member of the US Air Force with the rank of lieutenant. In reality, Powers resigned from the army in 1956 with the rank of captain. After that, as a civilian, he became involved in the CIA's 'U-2' program and continued to work for the agency until May 1, 1960, when his plane was shot down over Soviet territory.
  • At the beginning of the film, Rudolf Abel paints a self-portrait, and this scene is clearly inspired by Norman Rockwell's *Triple Self-Portrait*. Steven Spielberg and George Lucas have long been admirers of the artist and collect his work.
  • A green sphere is shown at the entrance to the subway at the beginning of the film. Colored spheres began to be installed only in 1982. A green sphere indicated that the station was open 24 hours a day, a red one – that it was closed at certain times. Before 1982, all spheres were exclusively white. Hanks and Spielberg made the same mistake in another joint project – in the tragicomic detective story “Catch Me If You Can.”
  • According to a statement by Tom Hanks at a press conference, Donovan’s speech in the film during the Supreme Court hearing exactly replicated the words actually spoken in defense of Abel in the Supreme Court many years ago.
  • In the film, Abel speaks with an accent that seems somewhat inappropriate. In reality, he was born into a Russian family in Newcastle upon Tyne, UK, and attended school in Scotland for several years. As a young man, Abel returned to Moscow, but spoke English with a noticeable accent for the rest of his life.
  • On the cinema building behind Donovan and Hoffman, an advertisement for the film 'One, Two, Three' (directed by Billy Wilder, 1961) is visible. Like the characters in 'Bridge of Spies', the protagonists of Wilder's film repeatedly travel from East Berlin to West Berlin and back.
  • At the beginning of the film, Rudolf Abel paints a self-portrait, a scene clearly inspired by Norman Rockwell's 'Triple Self-Portrait.' Steven Spielberg and George Lucas are longtime admirers of the artist and collect his works.
  • Colonel Abel gave Donovan a seascape, not a portrait.
  • When Powers' U-2 crashes, the sound of a propeller is heard, although the U-2 was a jet aircraft.
  • An advertisement for the film “One, Two, Three” (directed by Billy Wilder, 1961) is visible on the building of the cinema behind Donovan and Hoffman. Like the characters in “Bridge of Spies,” the heroes of Wilder’s film repeatedly travel between East Berlin and West Berlin and back.

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