After the Ball

Fairytales are always in fashion
After the Ball (2015)
5.9/10
19 137
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no scores
6.3/10
269
5.8/10
3800
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Release date
Revenue
$234 417
Director
Scenario
Photo Jason Sherman
Jason Sherman
Composer
Producer
Jane Silverstone-Segal

Short description

After the Ball, a retail fairy tale set in the world of fashion. Kate's dream is to design for couturier houses. Although she is a bright new talent, Kate can't get a job. No one trusts the daughter of Lee Kassell, a retail guru who markets clothes "inspired" by the very designers Kate wants to work for. Who wants a spy among the sequins and stilettos? Reluctantly, Kate joins the family business where she must navigate around her duplicitous stepmother and two wicked stepsisters. But with the help of a prince of a guy in the shoe department her godmother's vintage clothes and a shocking switch of identities, Kate exposes the evil trio, saves her father's company -- and proves that everyone can wear a fabulous dress.

What's left behind the scenes

  • The film takes its title from the classic waltz by Charles Cassel Harris (1867-1930), written in 1891. The fashion house in the film is named after Harris's middle name.
  • While working at her father's company disguised as a man, Portia Doubleday's character takes the pseudonym Nate Ganymede. This is a reference to William Shakespeare's (1564-1616) comedy "As You Like It" (1599 or 1600), in which Rosalind disguises herself as a youth named Ganymede.
  • In one of the episodes, Richard takes a dress and begins to dance with it, quoting Julia Roberts in the scene with Hugh Grant from Roger Mitchell's romantic comedy Notting Hill (1999): '...just a girl, standing in front of a boy'.

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