The Cell

Enter the mind of a killer.
The Cell (2000)
Timing: 1:47 (107 min)
6.6/10
174 828

no scores
6.3/10
1767
6.4/10
116000
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Release date
Budget
$33 000 000
Revenue
$104 155 843
Website
Director
Scenario
Mark Protosevich
Producer
Eric McLeod, Julio Caro, Donna Langley, Carolyn Manetti
Operator
Paul Laufer
Composer
Artist
Tom Foden, Olivier Cauwet, Antoine Deschamps
Audition
Editing
Paul Rubell, Robert Duffy, Tommy Turtle
All team (149)

Short description

A psychotherapist journeys inside a comatose serial killer in the hopes of saving his latest victim.

What's left behind the scenes

  • This is the directorial debut of music video director Tarsem Singh, who became famous for the video for R.E.M.'s song "Losing My Religion." The director partially reused the visual style of this video in "The Cell."
  • Katherine is watching the French animated film "Fantastic Planet" (1973) directed by René Laloux on TV.
  • When Peter himself delves into the subconscious of Carl Sträger, he encounters three women staring open-mouthed at the sky. This plot point alludes to the painting "Dawn" by Norwegian artist Odd Nerdrum.
  • The episode with the dismembered horse, each fragment crammed into a glass vessel, is inspired by the work of British artist Damien Hirst (primarily his installation "Some Comfort Gained from the Acceptance of the Inherent Lies in Everything"). Another episode involving a horse, where Catherine chases Carl through a stone entrance hall, is inspired by the painting "Schacht" by Swiss Surrealist H.R. Giger.
  • The final scene of the film in the desert was originally shot as an earlier scene depicting another therapeutic session between Catherine and Edward in the latter's world. The director later decided that the film should end by returning to Edward's story and added digital cherry blossoms and snow to this scene to show that it is now part of Catherine's world.
  • The directorial debut of music video director Tarsem Singh, who became famous for the video for R.E.M.'s song 'Losing My Religion.' The director partially used the visual style of that video in 'The Cell'.
  • Catherine is watching the French animated film 'Fantastic Planet' (1973), directed by René Laloux, on TV.
  • The episode featuring a dismembered horse, with each fragment crammed into a glass vessel, was inspired by the work of British artist Damien Hirst (specifically, his installation 'Some Comfort Gained from the Acceptance of the Inherent Lies in Everything'). Another horse-related episode, where Catherine chases Karl through a stone hallway, was inspired by the painting 'Schacht' by Swiss surrealist H.R. Giger.

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