Ghost in the Shell 2: Innocence

When machines learn to feel, who decides what is human...
イノセンス (2004)
7.5/10
82 081
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no scores
7.4/10
1048
7.4/10
43000
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Release date
Revenue
$10 079 829
Director
Scenario
Composer
Producer
Actors
Photo Atsuko Tanaka
Atsuko Tanaka
Motoko Kusanagi (voice)
Photo Akio Otsuka
Akio Otsuka
Batou (voice)
Photo Koichi Yamadera
Koichi Yamadera
Togusa (voice)
Photo Tamio Ohki
Tamio Ohki
Section 9 Department Chief Aramaki (voice)
Photo Yutaka Nakano
Yutaka Nakano
Ishikawa (voice)
Photo Hiroaki Hirata
Hiroaki Hirata
Koga (voice)
Photo Masaki Terasoma
Masaki Terasoma
Azuma (voice)
Sumi Mutoh
Mysterious Woman (voice)
All actors and roles (10)

Short description

In a future where the line between people and machines has grown faint, Batou is a detective whose body is almost entirely artificial, with only fragments of his original brain and the memory of a woman named Motoko Kusanagi left to him. He and his partner Togusa investigate a string of killings in which gynoids, female-shaped androids built for sexual use, murder their owners and then destroy themselves. The manufacturer would rather settle quietly with the victims' families and pull the units from the market, but Batou and Togusa continue to press the case, drawing them toward the truth behind the deaths.

Mamoru Oshii directed and wrote the screenplay, his eighth film in a directorial career that includes Patlabor 2: The Movie and the earlier Ghost in the Shell. Atsuko Tanaka, Akio Otsuka and Koichi Yamadera lead the voice cast, with Tamio Ohki, Yutaka Nakano and Hiroaki Hirata in supporting roles. The production, a Japanese animation made with Studio Ghibli among its backers, is a sequel to Oshii's 1995 film, and it earned about 10 million dollars worldwide. On IMDb it holds 7.4 from roughly 43,000 votes, with 7.4 on TMDB from about a thousand. A critics' rating of 6.4 from 98 reviews places it below the audience scores.

What's left behind the scenes

  • At the beginning, during the credits, the legs of two cyborgs appear on the screen, shown in a way that suggests they belong to a single being. This is a reference to the works of German graphic artist, sculptor, painter, and writer Hans Bellmer (1902-1975). Later, one of his books will also be shown on screen.
  • The music playing in the Dollhouse was produced by a genuine music box made by the Japanese company Sankyo Seiki. First, the sound was recorded in a studio. Then, the recording was played in 5.1 surround sound in a former quarry and re-recorded to give the sound additional volume.
  • The minor character, forensic scientist Mrs. Haraway, is a reference to Donna Haraway, a distinguished professor in the Feminist Studies Department and the History of Consciousness Department at the University of California, Santa Cruz. Haraway is considered one of the founders of cyberfeminism and a central figure in posthumanism (a worldview based on the idea that human evolution is not complete and can be continued in the future).

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