The Stoning of Soraya M.

When a deadly conspiracy became a shameful cover-up One witness refused to be silent
The Stoning of Soraya M. (2009)
1:54 (114 min)
8/10
51 751
—
no scores
7.7/10
271
7.9/10
23000
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Release date
Revenue
$1 100 000
Director
Scenario
Composer
Producer
Stephen McEveety
Actors
Photo Mozhan Marnò
Mozhan Marnò
Soraya M.
Photo Jim Caviezel
Jim Caviezel
Freidoune
Ali Pourtash
Mullah
Photo Vida Ghahremani
Vida Ghahremani
Bita
All actors and roles (10)

Short description

Set in 1986 Iran, the story begins when a man named Sahebjam experiences a vehicle breakdown in a remote village. He meets a woman named Zahra, who shares the account of her niece, Soraya. Soraya was forced into an arranged marriage with a cruel man who eventually conspired against her by accusing her of adultery. Under the strict laws of the Sharia, this accusation led to a tragic outcome through stoning, despite efforts to prove her innocence.

The film was directed by Cyrus Nowrasteh, following his 2001 work The Day Reagan Was Shot. The screenplay was written by Nowrasteh and Betsy Giffen Nowrasteh. The cast features Mozhan Marnò as Soraya M., Shohreh Aghdashloo as Zahra, and Jim Caviezel as Freidoune. Production was handled by several companies, including Mpower Pictures and Roadside Attractions.

Financially, the movie earned 1 million USD at the worldwide box office. Audience reception has been generally positive, with a 7.9/10 rating on IMDb from 21,493 votes and a 7.7/10 rating on TMDB from 266 votes. In comparison, film critics gave the movie a lower rating of 6/10 based on 86 reviews.

What's left behind the scenes

  • An Iranian court officially introduced a moratorium on stoning in 2002.
  • The film is based on the novel of the same name by Franco-Iranian journalist Fereydoun Sahebjam, published in 1994. This novel is banned in Iran due to its "critical attitude towards the Islamic value system".
  • In the prison where the relevant scenes were to be filmed, a prisoner riot broke out the day before filming began, forcing the crew to shoot not on location, but on specially constructed sets.

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