Goodnight Mommy

A mother should look out for her sons.
Ich seh, Ich seh (2015)
6.6/10
84 734
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6.7/10
1762
6.7/10
64000
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Release date
Revenue
$2 193 474
Director
Photo Veronika Franz
Veronika Franz
Scenario
Photo Veronika Franz
Veronika Franz
Composer
Olga Neuwirth
Producer
Actors
Photo Elias Schwarz
Elias Schwarz
Elias
Photo Lukas Schwarz
Lukas Schwarz
Lukas
Hans Escher
Priest
Elfriede Schatz
Red Cross Collector #1
Karl Purker
Red Cross Collector #2
Georg Deliovsky
Pizza Supplier
Christian Steindl
Mesner
All actors and roles (10)

Short description

Goodnight Mommy is an Austrian psychological horror film set during a hot summer in a remote farmhouse surrounded by cornfields and woods. Twin brothers wait for their mother to come home from hospital. She returns with her face wrapped in bandages after cosmetic surgery, and her behaviour has changed: she is cold, distant and quick to anger, and she imposes strict new rules that cut the boys off from the world outside. Increasingly convinced that the woman in the house is not really their mother, the twins set out to establish the truth.

The film is the feature debut of Veronika Franz and Severin Fiala, who wrote it together and went on to direct The Lodge and The Devil's Bath. It was produced by Ulrich Seidl. The two young leads, Elias and Lukas Schwarz, share their characters' names, and Susanne Wuest plays the mother.

Goodnight Mommy received its release in 2015 and runs 100 minutes. Its worldwide box office of about 2 million US dollars is modest, in keeping with a low-budget European production, while its strong showing on the festival circuit helped bring the directors international attention. On IMDb it has a rating of 7.4 from 147 reviews, and on TMDB a rating of 6.7 from 1,739 votes, indicating that critics rated it more favourably than the broader audience did.

What's left behind the scenes

  • The actors were not given a script; all the scenes of the film were shot in chronological order.
  • 240 pairs of twins auditioned for the roles of the twins.
  • To prepare for her role, Suzanne Wuest spent three months in complete solitude, periodically wrapping her entire body in bandages.

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