A Happy Event

Un heureux événement (2011)
Timing: 1:47 (107 min)

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6/10
233
6.5/10
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Release date
Country
Genre
Budget
$0
Revenue
$4 000 000
Website
Director
Actors
Louise Bourgoin, Pio Marmaï, Josiane Balasko, Thierry Frémont, Gabrielle Lazure, Firmine Richard, Anaïs Croze, Daphné Bürki, Lannick Gautry, Nicole Valberg
All actors and roles (10)
Scenario
Producer
Eric Altmayer, Nicolas Altmayer, Isabelle Grellat, Geneviève Lemal, Arlette Zylberberg
Operator
Antoine Monod
Composer
Artist
Maamar Ech-Cheikh
Audition
Maya Serrulla, Michaël Bier
Editing
Sophie Reine
All team (23)

Short description

She drove me into a corner, then forced me to go beyond my limits. She made me confront the absolute: love, sacrifice, tenderness, abandonment. She dislocated me, transformed me. Why didn't anyone warn me? Why doesn't anyone ever talk about this?" Un heureux événement, or an intimate view of motherhood, sincere and with no taboos.

What's left behind the scenes

  • Cinematographer Antoine Mono and director Rémi Bezonsons spent a considerable amount of time preparing for the shoot together. With the parents' permission, they filmed birth scenes, practicing how to select the right shots and capture all the emotions of the moment as realistically as possible.
  • Actress Josiane Balasko met director Rémy Bezançon at the Athens Film Festival. Unfamiliar with each other’s films, they simply had drinks and chatted about unrelated topics. Their next meeting was at the Los Angeles Festival, where the director decided to send the actress a script with an offer to play the role of Claire. Enticed by the interesting character and its nuances, she accepted.
  • The film is an adaptation of the novel of the same name by French writer Élitte Abecassis, published in France in 2005.
  • The film's central childbirth scene was shot in a studio over the course of two days. Having endured numerous discomforts throughout this time (a prosthetic belly, fake injections, a constant blood pressure monitor, cameras and lighting technicians pointed at her from all sides, all amidst grueling heat), Louise Bourgoin fainted at one point. The director decided to keep this scene in the film.
  • The fifty-person film crew had to constantly adapt to the infants' feeding and sleeping schedules.
  • French veteran director Jean-Paul Rapno planned to film his movie called "Foreign Ties", starring Louise Bourgoin, Pio Marmaï and Josiane Balasko. Since this project never materialized, its developer suggested the director Rémy Bezançon take all these performers for his future film.
  • The central scene in the film depicting childbirth was filmed in studio interiors over two days. Louise Bourgoin, who experienced considerable discomfort throughout the process (a prosthetic belly, mock injections, constant blood pressure monitoring, cameras and lights pointed from all directions, and all of this in exhausting heat), fainted at one point. The director decided to leave this scene in the film.
  • Pio Marmaï and Louise Bourgoin spent a lot of time together, communicating and getting used to one another in order to appear as a real couple on screen.
  • Veteran French director Jean-Paul Rappeneau had planned to film a movie titled 'Foreign Relations,' starring Louise Bourgoin, Pio Marmaï, and Josiane Balasko. Since that project never became a reality, its developer suggested that director Rémi Bezonsons cast all of these performers in his upcoming film.
  • Cinematographer Antoine Monod and director Rémy Bezançon spent a lot of time together preparing for the filming of the picture. With the parents' permission, they filmed childbirth scenes, practicing choosing the right shots and capturing all the emotions of what was happening as realistically as possible.
  • Before starting work on the film, actress Louise Bourgoin had practically no experience interacting with infants. Working with them was very difficult for her, but over time she began to stay and play with the babies during breaks in filming. In some cases, she even spent Sundays with their families.
  • The fifty-person film crew had to constantly adjust to the babies’ feeding and sleep schedules.
  • Pio Marmaï and Louise Bourgoin spent a lot of time together, communicating and getting to know each other in order to appear as a real family on screen.
  • The film is based on the novel of the same name by French writer Élit Abécassis, which was published in France in 2005.
  • Before starting work on the film, actress Louise Bourgoin had practically no experience interacting with infants. Working with them was very difficult for her, but over time, she began staying and playing with the babies during breaks between takes. In some instances, she even spent Sundays with their families.

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